My Pal Rusty Mills

The cartooning business is an interesting profession. Cartooning is a broad term that covers comic books, comic strips, editorial cartoons, gag cartoons, humorous illustration, and animation. Many cartoonists work their magic in a solitary fashion from home studios, and don’t often find their way out into the daylight. When they do squint their way out of their caves and are able to mingle with like-minded friends, it is usually a pretty good time. It was during a regular gathering of cartoonist friends where I first met my pal Rusty Mills.

 

Pinky & the Brain
Rusty Mills at his drawing board using Toon Boom.

 

For awhile when I was unemployed (or as we prefer to call it – “freelancing“) from the animation business, I was getting together every Friday at a restaurant in Burbank with cartoonist friends that fell into one or several of the aforementioned cartooning categories. We would talk shop or reminisce about whatever got our creative juices flowing from the world of pop culture. As one of the youngest in the group, I loved sitting there hearing the rapid-fire conversations from the more experienced members of days working with Walt Disney or Bill Hanna & Joe Barbera. There were thoughts and ponderings about why The Flintstones were so great, lamentations over the lack of singing cowboy films today, lauding the merits of great comics, and which C level movie was actually quite delightful and terribly underrated.

 

Rusty was one of the regulars at those lunches, and as one of the guys, it was a pleasure to get to know him. He was always ready to laugh, and would always laugh pretty heartily. He was only older than me by ten years, but I was impressed to learn he had worked on several very cool projects like An American Tail, Tiny Toons, Animaniacs, and Pinky & the Brain.

 

In 2005, my attendance at these two, sometimes three hour lunches had to cease. I had gotten hired on a new show at Disney Television Animation called Mickey Mouse Clubhouse. Soon to follow from our Friday lunch bunch were Rusty, Bob Foster, and in season two, Dave Bennett.

 

During those years at Disney TV is when I became better acquainted with Rusty working side-by-side. Rusty, Foster and I would have lunch together every day. It was then that I learned of Rusty’s modesty. You see, we had been friends for a few years, and while I knew of some of his past projects, he had withheld his importance to some of them. He didn’t just work on Animaniacs and Pinky & the Brain – he was a director and producer of those programs including directing the very first Pinky & the Brain cartoon “Win Big”. To further prod him, one would learn that sitting at home were five shiny Emmy Awards and one Peabody earned for that work!

 

Mickey meets the Brain
Rusty created this great drawing on the first page of a new sketchbook I started when we worked together on “Mickey Mouse Clubhouse” in 2005.

 

That humble spirit is also what drove him to share his wealth of experience with young animation hopefuls by teaching them drawing, how to use computer software (he was a big advocate of Toon Boom), and serving as mentor to many eager minds. To serve all these students, Rusty did so by sacrificially driving 60 miles each way from his home out in the boondocks to where the classes were held.

 

A little over a year ago, Rusty told me that he had been diagnosed with colon cancer. He was his usual upbeat self knowing full well that he would tackle this problem and win. The initial jolt of treatment was tough, but Rusty plowed through with a big smile and positive attitude. We had long left Disney and were on to other projects. Rusty had taken a long distance job with a studio in Virginia that allowed him to work from home in California. He continued teaching classes, and going to chemo therapy. He would post positive updates on Facebook about his health, never complaining.

 

A few short weeks ago I heard that Rusty was being put into hospice care. Hospice. That dreaded word. I actually hadn’t talked with Rusty in awhile. Apparently his condition had not been great for the past three months, but his positive attitude expressed online never gave friends cause to worry. Very quickly, we all worried.

 

Two weeks ago on December 7, my pal Russell Paris Mills quietly slipped away leaving his precious wife Andrea and fifteen year old son Evan who we first met as a real youngster at those Friday lunches many years ago. Rusty’s legacy of tremendous work, a giving spirit, and memories of friendship will live on. This man was much loved by the many animators, directors, producers – all cartoonists – who attended his funeral last week. Even more came to reminisce about our friend and colleague at a second memorial service held for him at the Animation Guild in Burbank this past Sunday on what was Rusty’s 50th birthday.

 

It was proof that while many cartoonists may work alone, the great Rusty Mills was not a solitary man.

 

 

If you would like to see more of Rusty’s work, please CLICK HERE to visit his personal website.

A special fundraiser was started to help Andrea and son Evan. Rusty was their provider. If you knew Rusty, or if you were just a fan of his work without realizing he was the guy, please consider donating a little something to help. You can access the fundraiser by CLICKING HERE.

 

 

Life is short, and we have no idea what lies ahead on the journey. The following words from the Bible have meant much to me on my journey:

Proverbs 3:5-6 Trust in the Lord with all thine heart; and lean not unto thine own understanding. In all thy ways acknowledge Him, and He shall direct thy paths.

 

Tweety Bird

Now and then I’ll do a little something for the fun of it for family. My late Uncle Ken was a big fan of Tweety from Looney Tunes. He was so much of a fan, that he even had a Tweety tattooed on his ankle.

I can’t actually remember what the occasion was for creating this pencil and watercolor piece a few years ago, but I know it was something I did for Uncle Ken. You see, he lived in Arizona in the shadow of Superstition Mountain, which explains all the cactus and cowboy gear. Whatever the reason, I thought you might find it interesting as this is the rare Warner Bros. piece you’ll find here on my blog. It may only be the second WB thing I’ve posted here. I grew up loving the Looney Tunes characters, but just don’t often get asked to draw them.

 

“I tawt I taw a sidewinder!”

 

Speaking of Warner Bros., this coming Saturday I’ll once again be at the Warner Ranch studio lot in Burbank drawing for the families who needed the services of the Ronald McDonald House this past year due to an ill young member of their family. Should be fun drawing for folks who probably need a little cheer in their lives about now.

The Asphalt Jungle

Last year I did a few character concepts for a potential television program set in New York City. I can’t divulge anything more than that about the project, but I can show you some of the drawings since the producers decided to go in a different direction.

I liked the way these sketches turned out. They were pencil on paper, with a splash of Photoshop color thrown in for good measure. While they all should look like they are living in the same universe with each other, hopefully they portray specific personalities with just their expressions, costumes and body language. That’s always the goal when working on good character design — unless the client wants a series of characters that are cookie cutter to each other. I’ve worked on those kinds of projects, too.

If you’ve already had your shots, enjoy the drawings!

 

copyright Chad Frye

copyright Chad Frye

copyright Chad Frye

copyright Chad Fryecopyright Chad Frye

Care Bears – Raccoon

Well, since posting the squirrels I drew for the pilot episode of The Hub channel’s new Care Bears show, I thought I’d show you another critter drawn during the devlopment of the show. I really don’t know how this raccoon evolved for his existence in Care-A-Lot after my involvement, but I thought these rough sketches had a little of that Care Bears charm. Enjoy!

 

Care Bears – SQUIRREL!

Back in the beginning of 2011, I was asked to help out a bit with the pilot for a new Care Bears television series. The director, Jeff Gordon (no relation to the race care driver, but he can manipulate a mean pencil) was developing it at a studio called Moonscoop for broadcast on The Hub channel. Yep, those of you with The Hub know that it has already begun to air just this past June.

One of the things Jeff asked me to do was to design a squirrel family – a mama, papa and baby squirrel. I got the ball rolling with some developmental designs for all three and took them as far as I could go before I moved on to begin working on another project for Moonscoop. The squirrel family made it into the show, and even appear in the opening titles of The Care Bears.

I thought I would show you some of my drawings of the baby squirrel. As you can see, the young toothy one went through a transformation over the four images here. I’m sure he changed even more from this to the final because the show is done in CG (computer generated).

 

Fuzzy Baby Squirrel
Cuteness runs rampant in Care-A-Lot.

 

In case you are curious of how the squirrels turned out, you can see them in the opening title sequence of the show. Covered in turquoise fur, they only get seen from behind during the song, but make their presence known in some of the episodes. Perhaps another time I can show some other characters I drew during the development of the pilot.

 

The Tazmanian Devil

Every now and then I get asked by a kid to draw something that is completely out of my repertoire. This past weekend a young second cousin of mine was out here in California with his dad on a father/son sightseeing trip, and he asked if I could draw a Tazmanian Devil for his friend. I’ve never drawn Taz professionally, and it had even been years since I tried it just as a self-amusement exercise.

I remember reading once that the great Charles Schulz was at a public signing event drawing his Peanuts characters for children. He looked down and asked a little boy what he would like to have. The boy replied, “I want a drawing of Popeye.” Schulz said that from then on he learned to draw a few other characters in case a moment like that should come up again!

I, however had the luxury to do my Taz drawing in my studio where I have access to reference materials. So, I did this pencil sketch of Warner Bros.’ popular Looney Tunes character The Tazmanian Devil for young cousin Jason – or his friend, and did a second one so they both could have a drawing.

 

Taz Art
He shouldn’t have been too hard to draw. I wake every morning looking at a molded Taz alarm clock complete with moveable menacing arms!

 

Drawing Taz was really fun. Bugs Bunny and his pals were the few cartoons I was allowed to watch while growing up. They instilled in me my love for animation. Unfortunately, I have only had the opportunity to work on one Warner Bros. project – a Michigan J. Frog coloring book. Not long after finishing that book, I moved to California where I became a Disney guy for almost ten years. In hindsight, it is kind of ironic that my one WB project spoofed a Disney movie. It was titled Croakahontas.

Well, enjoy Taz, although I’m sure a Popeye drawing by Charles Schulz would have been much more interesting!

Doggies In the PC Window

I was at a talk last week, and while listening to the speakers, I needed to keep my hand busy. I’m glad I remembered to take my sketchbook. A whole page of doggie doodles just fell out of my fingers….

 

Animal Art

 

And just to be sure you read that last sentence right –  doggie DOODLES fell out of my fingers. Would hate for you to think that “L” was an “I”.

The Easter Bunny

Every business needs a supplier of product, but it’s good to make sure that you get into business with the right people. Some can be pleasant and fair, while others can be a bit more demanding. When a supplier makes you an offer you can’t refuse, that guy probably isn’t all he’s cracked up to be. You know what I mean, right? You don’t want to wake up one morning with the head of a Peeps in your bed.

Easter bunnies aren’t really all that good at business.

 

Easter Bunny
The Easter Bunny had better step carefully around his new business partner. Where do you think all those “lucky” rabbit’s feet come from?

 

At least he’s wearing a spiffy bow tie.