“Outside of a dog, a book is man’s best friend. Inside of a dog it’s too dark to read.“
– Groucho Marx (1890 – 1977)

– Groucho Marx (1890 – 1977)
Sidewinder, whippersnapper, feelin’ mighty peckish, high noon, marble orchard, consarn it, sassafras, fair to middlin’, all down but nine, and dagnabbit are all words that come to mind with today’s sketchbook drawing.
If elephants worked in the world of business, I imagine they’d make good CPAs. Having someone who never forgets being in charge of numbers seems like a pretty good bet.
The time of lockdown here during 2020 has got to be the strangest societal experience of our collective lifetime. One of the stranger of the restrictions placed upon us by our government has been the suspension of religious freedom despite stores being open, restaurants being open, open beaches, massive public demonstrations, political rallies, and even air travel where everyone breathes the same recycled air for hours on end.
Well, we have acquiesced, and have reverted to watching our churches online. All of our preachers have inadvertently become televangelists. During this time of uncertainty, I have been thankful for the biblical wisdom my own pastor has released upon us week after week, backing everything he says with what is written in the Bible, spoken in a calm, easily understood manner.
My pastor is John MacArthur. My church is Grace Community Church.
You know, back in the day, I used to sit in services doodling while listening. For me, doodling was always a way to help me stay awake during a long talk, business meeting, sermon, or otherwise. It helped me focus on what was being said. Unfortunately, in church I was a distraction to those around me who would watch me doodle instead of listening themselves. So, I stopped.
With church being online only these days, I’ve gone back to doodling during the sermons. While some doodles are random, a few Sundays back I found myself doodling my pastor from the computer screen. Later, I took the inked drawing into Photoshop to add some quick color.
I’m not much of a portrait artist, but caricatures flow from my hand from time to time. So, this was drawn with the utmost respect.
If only all bears would just befriend some bees, honey acquisition might be a friendlier prospect.
A little traditionally inked sketch from my sketchbook with some color added later in Photoshop.
Instead of doing some sketch of a patriot for today, I thought it might be fun to see ol’ British King George III’s reaction to learning that the Colonies decided to rebel against him on that fateful July 4 back in 1776.
I’ll bet ol’ Georgie had wished the postal service had that day off that first year, but that would come later.
Today marks what would have been the great Ray Harryhausen’s 100th birthday. To film and animation aficionados, Ray’s name is highly praised, and rightfully so. He was a brilliant stop-motion animator who, following in the footsteps of Willis O’Brien (the man behind the original King Kong), Ray elevated the world of visual effects in live-action movies that set new standards for decades. His work was often a part of science fiction and fantasy movies, but even if a film itself wasn’t necessarily great, Ray’s work on its own was groundbreaking.
My favorite of Ray’s work, and the favorite of many, is the skeleton sword fight from Jason and the Argonauts. It was made in 1963 , which means there were no computers involved. It was just little skeleton puppets moved one frame at a time, lit to look like it was outside, and large real human actors were filmed separately from the skeletons to look like they were interacting with them. Insanely difficult to pull off, but done so brilliantly. Here’s the scene:
I feel very privileged to work in the animation business, and was thrilled to have had the chance to meet and talk with Ray a number of times before he passed. His tales of working in this business inventing techniques and trick along the way were fascinating. They were especially fascinating because while I usually work on projects that are completely animated, Ray’s objective was to have the make-believe stuff appear to be real by having it interact with real things.
Perhaps the most unique brief chat with him came from bumping into Ray on a sidewalk here in Burbank, CA one day. Most people walked by without giving him a second look, but then a young animation guy like me knew who he was.
Ray passed away at the age of 92, but what an amazing legacy he left behind.
You know all about the other little piggies. This is the one who stayed home.