Happy New Year 2019!

Happy New Year!

Here’s hoping that the new year brings joy and delight in your personal pursuit of carrots.

 

Somebody picked the snowman’s nose. (rimshot)

 

By the way, just as a curiosity fact, this was penciled in the Los Angeles airport, and inked in the Vegas airport. (The Vegas airport slots have no power over me when I can make my own fun like this.)

Thank You Notes

Alright – the last of the presents have been opened, and you’ve had a full day to hit all the after Christmas sales. Now is the time to start getting those thank you notes written to Aunt Belinda for the socks, Grandpa Joe for the new hammer, and Mom for the new underwear.

Whomever in your life made the time to thoughtfully pick out a gift just for you, be sure to send them a proper “thank you!”

 

Even this bear didn’t want to hibernate without first saying a proper thanks!

Beary Christmas

Here’s a little Christmas greeting created for the Los Angeles Chapter of the National Cartoonists Society featuring their mascot, Cornelius the bear.

It is rumored that ‘ol Corny had saved the lives of several cartoonists back in the day. Since his own passing, Cornelius looks after cartoonists everywhere.

Merry Christmas!

 

Click on the image to see more about NCS LA and the legend of Cornelius the bear.

Night Before Christmas

“‘Twas the night before Christmas, when all through the house,

Not a creature was stirring, not even a mouse:”*

 

 

Well, MAYBE a mouse…

 

See, it’s funny because he’s a mouse, and he’s stirring. (rimshot)

 

*from A Visit from St. Nicholas written by Clement Clarke Moore in 1823

 

 

O Christmas Tree

O Christmas tree, o Christmas tree…

 

There’s nothing like a fresh Christmas tree.

 

A little inked drawing from my sketchbook with some Photoshop blandishments.

Reindeer “Presents”

Nobody ever talks about the unpleasant reality of working with reindeer. That being said, run Rudolph, RUN!
Things like this don’t usually happen to me at my job in an animation studio. Usually.

Even MORE Wreck-It Ralph

Two weeks ago I shared with you a few drawings I did for a Wreck-It Ralph children’s book published six years ago when the first movie came out. Care to see a few more?

After I posted the previous drawings, an artist friend asked me if I hand-inked these or if I used a vector program like Adobe Illustrator. The answer is that they were hand-inked, but not with ink. I drew them by hand in Photoshop. So, no vector tools were used. They were drawn on a Wacom Cintiq monitor that allows me to draw with a stylus directly onto the screen. The monitor is pressure-sensitive, so if I push harder, the lines get thicker just as if I was inking traditionally with a paint brush (which is my preferred method of inking traditionally).

So, take that information as you will. Otherwise, just enjoy the drawings!

Ralph and Vanellope
King Candy
Ralph in a sticky situation. (insert groan here)

Wreck-It Ralph

It’s hard to believe, but the first Wreck-It Ralph movie came out six years ago, and now today the sequel Ralph Breaks the Internet comes out. I had a chance to see it two weeks ago at the Walt Disney Studio, and I have to say that it was really a terrific sequel.

So, in honor of the sequel coming out this week, I thought it was high time that I shared some Wreck-It Ralph art that I drew way back before the first movie ever came out. Disney Publishing had another illustrator working on a Ralph book that followed in the footsteps of the old Where’s Waldo? books. Each spread was VERY busy so that kids would have to look for little things in the artwork. Having done such books like that myself at the beginning of my career, I did not envy the amount of work that illustrator had to put into the drawings.

One thing that ended up being tough for the illustrator was nailing the exact likeness of some of the characters. I’ve been there. Twenty four years ago I had been doing Disney books, and having trouble with likenesses, mostly due to a lack of reference material sent to me by the publishers. Seeking such images on the internet wasn’t yet a thing, so Disney would send me corrected drawings by some anonymous artist who had access to perfect reference.

Well, whatever the reason, this other artist was needing some adjustments on the characters, so Disney Publishing hired me to do drawing corrections like I used to receive. I became the anonymous artist.

So, the following are some of the drawings I did for that Seek and Find book: