…From the Flat File: 2006 – Dick Van Dyke

Two weeks ago at The Writer’s Guild in Beverly Hills, CA, entertainment legends Carl Reiner and Dick Van Dyke had a conversation on stage on the occasion of the release of Mr. Van Dyke’s new autobiography. Hosted by Writers Bloc Presents, these two legends swapped tales and memories before a rapt audience of which I was very happy to be a part.

 

Carl Reiner & Dick Van Dyke
Carl Reiner & Dick Van Dyke at the Writers Bloc Presents event on May 31, 2011.

 

As a child, it was quite easy to become a fan of Dick Van Dyke due to Mary Poppins and Chitty Chitty Bang Bang, only to further appreciate his talents with The Dick Van Dyke Show, and many other projects all the way up to the fairly recent Night at the Museum. When first arriving in California in 1997 to work for Disney, I was hoping that would be my ticket to finally meet Dick Van Dyke. Turns out that ticket was a wee bit elusive.

Every now and then, I would hear that friends of mine would have met him at the computer convention Siggraph that I would also be attending. Others would meet him on the Disney lot now and then, even once making a planned appearance with Julie Andrews at the renaming of one of the Disney soundstages in Ms. Andrews’ honor. Where was I? Foolishly working.

A few years ago, the charity group Actors and Others for Animals [click here to see my previous post on this group] were having their annual fundraising banquet in honor of Dick Van Dyke. Mary Willard, the very funny wife of the very funny Fred Willard, called and asked if I might be willing to draw their personal ad for the program book. How could I resist an opportunity to draw Dick, Fred and Mary? Better yet, the job came with an invitation to the event where one would certainly have the opportunity to shake the hand of the rubbery master of mirth himself!

 

Fred Willard & Dick Van Dyke
This was my initial rough sketch to show the Willards for their input. After incorporating their comments, the final art below was produced.

 

After completing the whimsical ad for the Willards, my anticipations for meeting Mr. Van Dyke were growing exponentially each day. In a cruel twist of fate, those same precious anticipations were frigidly dashed yet again. The banquet was being held at the same time I was scheduled to be on the opposite side of the country on vacation with my family!

 

Fred Willard & Dick Van Dyke
This was the final ad that Mary and Fred Willard placed in the black & white program book honoring Dick Van Dyke.

 

It was beginning to feel as though Dick Van Dyke was a myth that parents made up to tell their children about on cold winter nights. “Twas the night before movies, when over the lot it happens, a tall lanky sweep appears, that guy from Mary Poppins….” Seriously, I was beginning to wonder if I needed to hang a plate of tea and cakes from the ceiling at night to see if he would appear. Or at the least, add an ottoman to my office decor.

Well, Virginia, there really is a Dick Van Dyke. Last year, several years after parting from Disney myself, I was attending a private reception when I turned around and there before me was the man behind Bert, Rob Petrie, Caractacus Potts, Dr. Sloan and so many others. I finally was able to shake his hand, and thank him for being a part of filling my own head with imagination as a child that indubitably continues within me today.

 

Dick Van Dyke
Chad Frye with Dick Van Dyke at the Hollywood & Highlands complex in 2010.

Zhu Zhu Pets Movie Trailer

Last May I was contacted by a studio in Woodland Hills, California called Moonscoop to come work for them as a character designer on a series of DVD movies based on Zhu Zhu Pets toys. Zhu Zhu Pets? I had been oblivious to their existence, despite the fact that the Christmas before they had been THE “it” toy. Turns out that they are cute little electronic hamsters that roll around the ground squeaking, laughing, and bumping into things. They sounded a little bit like animation artists.

So, I jumped into the project with all four paws working closely with fellow character designer Stephen Silver (known for Disney’s Kim Possible designs). The two of us worked on adapting the toy characters into personalities that would help tell the story that lay before us all under the guidance of our director, Bob Doucette.

This past Wednesday the first trailer for The Quest for Zhu was released online. The film will be released on DVD in the fall through Universal. Hopefully as it gets closer, I can show you some of my actual drawings created in the planning of the movie. For now, here is the very short official teaser of what is to come for little hamster-loving kids everywhere (batteries not included):

 

 

Needs More Cowbell!

Everyone loves a good ol’ fashioned singing cowboy. That is, unless he don’t sing too good…

more cowbell
Sometimes free range singing isn’t the best idea. Pick one range and stick with it.

I was just doodling in my sketchbook the other day, and started doing the face of what became the cowboy. Often when I grab that sketchbook, I don’t quite know what will pop out. So, once the hat was added, the rest just came forth, after which I whipped out my brush pen and put a nice dark line on the whole thing.

SQUIRREL!!!

Recently at the office I’ve been working on some drawings of cute characters. I couldn’t quite shake the cute out of my arm when I got home, so I drew this pencil drawing of a young squirrel in my sketchbook. I’m thinking of doing another one in watercolor at some point when I have the time, but for now, enjoy this big-eyed acorn lover…

Drawn & Quoted: The Old Gray Mare

“A horse is a thing of such beauty.  None will tire of looking at him as long as he displays himself in his splendor.”

– Xenophon (circa 430 – 354 BC)

 

Old Gray Mare
If this horse actually IS an old gray mare, she definitely ain’t what she used to be!

 

Tues…er…Thursday with “TIM”

I know, I know – today is Thursday. It’s not actually Tuesday, the day on which I isolate my comments about my short film TIM here on the blog. There was just too much to share on one day this week, so I thought I’d spread it out onto Thursday as well.

We only have 18 days left in our fundraising efforts over on Kickstarter.com, so we can use all the help we can get to spread the word about the cinematic joy my producing partner Brian Joseph Ochab and I are trying to achieve! In my post on Tuesday, I alluded to an ad that we created for Stop Motion Magazine‘s website. I wanted to post that same ad here and encourage you to download it and share it on any website, Facebook page, MySpace, and wherever else you can on the web to help us spread the word!

 

Tim Burton
Click on the image to get a slightly higher resolution version of the ad.

 

In addition, Brian and I spent some time last week recording a special video update that was also briefly mentioned on Tuesday. So, it is posted here today for your enjoyment! I know it’s hard to believe, but we are completely untrained actors. Colin Firth better watch his back…

 

TIM Video Update from Wonder Motion Studios on Vimeo.

 

Come back again next Tuesday with another look at the art of TIM, and please come support us at TIMtheMovie.com!

Always Room for Cello

I recently made a card for someone I know who plays the cello professionally. Thought it would be fun to put little Mickey Mouse behind a giant cello. After it was done, I realized that it could be mistaken for a bass. So, it really is a cello. Just a small mouse.

Mickey Mouse Music
Why, cello there Mickey!

Tuesdays with “TIM”

Welcome to another fine addition to my Tuesdays with TIM posts showing you some of the artwork created in the development of this exciting short film project I’ve been working on with my producing partner Brian Joseph Ochab!

When trying to develop the visual style of TIM in early 2010, we didn’t wish to stray from the visuals of Tim Burton’s creepy animated films. We wanted to channel the look of Burton’s 1982 short Vincent while combining it with the visual sophistication of films like Corpse Bride and Henry Selick’s Coraline. Vincent was in black and white, and had a certain economy of scenery that was inexpensive to produce yet visually compelling. The latter films incorporated color and style to their imagery that just captures the imagination.

Tim Burton
A close-up of Timothy Todd from the development painting below.

So, with visions of the macabre dancing in my head, I grabbed my sketchbook and started to draw various scenes based on lines in the script. We chose a couple of them to illustrate, and I got to work on this particular piece.

Tim Burton
This is the rough sketch from my sketchbook inspired by a few lines from the script where Timothy Todd can only see ghosts and ghouls when channeling his hero.

Yes, the art below is a genuine old school painting in real life. I created it primarily in watercolor, and incorporated the use of colored pencils just a tad. I really love the watercolor medium, and use it often for my development art on this film. I think the uneven nature of it helps give a certain tactile feeling to each scene, and helps give the viewer a certain uneasiness with the creepy subject matter.

Tim Burton
The final watercolor painting of Timothy Todd lost in the world of his imagination.

If you would like to hear Christopher Lee’s narration that goes with this piece, we feature it in our promo film over on Kickstarter.  If you watch it long enough, there’s even a quick shot of me working on this very painting. You can go there right now by clicking on www.TIMtheMovie.com.

If you go to Kickstarter, please consider pledging some money to us so that we can actually make this film. We are in our final month of fundraising. I know at the $100 level, one of the things you’ll receive is a special limited edition print of one of my paintings. We have a few to choose from, so the print might even be of this particular painting.

Come back again next Tuesday for more revelations about TIM the movie! And come join the TIM Facebook page by CLICKING HERE!