My Pal Rusty Mills

The cartooning business is an interesting profession. Cartooning is a broad term that covers comic books, comic strips, editorial cartoons, gag cartoons, humorous illustration, and animation. Many cartoonists work their magic in a solitary fashion from home studios, and don’t often find their way out into the daylight. When they do squint their way out of their caves and are able to mingle with like-minded friends, it is usually a pretty good time. It was during a regular gathering of cartoonist friends where I first met my pal Rusty Mills.

 

Pinky & the Brain
Rusty Mills at his drawing board using Toon Boom.

 

For awhile when I was unemployed (or as we prefer to call it – “freelancing“) from the animation business, I was getting together every Friday at a restaurant in Burbank with cartoonist friends that fell into one or several of the aforementioned cartooning categories. We would talk shop or reminisce about whatever got our creative juices flowing from the world of pop culture. As one of the youngest in the group, I loved sitting there hearing the rapid-fire conversations from the more experienced members of days working with Walt Disney or Bill Hanna & Joe Barbera. There were thoughts and ponderings about why The Flintstones were so great, lamentations over the lack of singing cowboy films today, lauding the merits of great comics, and which C level movie was actually quite delightful and terribly underrated.

 

Rusty was one of the regulars at those lunches, and as one of the guys, it was a pleasure to get to know him. He was always ready to laugh, and would always laugh pretty heartily. He was only older than me by ten years, but I was impressed to learn he had worked on several very cool projects like An American Tail, Tiny Toons, Animaniacs, and Pinky & the Brain.

 

In 2005, my attendance at these two, sometimes three hour lunches had to cease. I had gotten hired on a new show at Disney Television Animation called Mickey Mouse Clubhouse. Soon to follow from our Friday lunch bunch were Rusty, Bob Foster, and in season two, Dave Bennett.

 

During those years at Disney TV is when I became better acquainted with Rusty working side-by-side. Rusty, Foster and I would have lunch together every day. It was then that I learned of Rusty’s modesty. You see, we had been friends for a few years, and while I knew of some of his past projects, he had withheld his importance to some of them. He didn’t just work on Animaniacs and Pinky & the Brain – he was a director and producer of those programs including directing the very first Pinky & the Brain cartoon “Win Big”. To further prod him, one would learn that sitting at home were five shiny Emmy Awards and one Peabody earned for that work!

 

Mickey meets the Brain
Rusty created this great drawing on the first page of a new sketchbook I started when we worked together on “Mickey Mouse Clubhouse” in 2005.

 

That humble spirit is also what drove him to share his wealth of experience with young animation hopefuls by teaching them drawing, how to use computer software (he was a big advocate of Toon Boom), and serving as mentor to many eager minds. To serve all these students, Rusty did so by sacrificially driving 60 miles each way from his home out in the boondocks to where the classes were held.

 

A little over a year ago, Rusty told me that he had been diagnosed with colon cancer. He was his usual upbeat self knowing full well that he would tackle this problem and win. The initial jolt of treatment was tough, but Rusty plowed through with a big smile and positive attitude. We had long left Disney and were on to other projects. Rusty had taken a long distance job with a studio in Virginia that allowed him to work from home in California. He continued teaching classes, and going to chemo therapy. He would post positive updates on Facebook about his health, never complaining.

 

A few short weeks ago I heard that Rusty was being put into hospice care. Hospice. That dreaded word. I actually hadn’t talked with Rusty in awhile. Apparently his condition had not been great for the past three months, but his positive attitude expressed online never gave friends cause to worry. Very quickly, we all worried.

 

Two weeks ago on December 7, my pal Russell Paris Mills quietly slipped away leaving his precious wife Andrea and fifteen year old son Evan who we first met as a real youngster at those Friday lunches many years ago. Rusty’s legacy of tremendous work, a giving spirit, and memories of friendship will live on. This man was much loved by the many animators, directors, producers – all cartoonists – who attended his funeral last week. Even more came to reminisce about our friend and colleague at a second memorial service held for him at the Animation Guild in Burbank this past Sunday on what was Rusty’s 50th birthday.

 

It was proof that while many cartoonists may work alone, the great Rusty Mills was not a solitary man.

 

 

If you would like to see more of Rusty’s work, please CLICK HERE to visit his personal website.

A special fundraiser was started to help Andrea and son Evan. Rusty was their provider. If you knew Rusty, or if you were just a fan of his work without realizing he was the guy, please consider donating a little something to help. You can access the fundraiser by CLICKING HERE.

 

 

Life is short, and we have no idea what lies ahead on the journey. The following words from the Bible have meant much to me on my journey:

Proverbs 3:5-6 Trust in the Lord with all thine heart; and lean not unto thine own understanding. In all thy ways acknowledge Him, and He shall direct thy paths.

 

Tweety Bird

Now and then I’ll do a little something for the fun of it for family. My late Uncle Ken was a big fan of Tweety from Looney Tunes. He was so much of a fan, that he even had a Tweety tattooed on his ankle.

I can’t actually remember what the occasion was for creating this pencil and watercolor piece a few years ago, but I know it was something I did for Uncle Ken. You see, he lived in Arizona in the shadow of Superstition Mountain, which explains all the cactus and cowboy gear. Whatever the reason, I thought you might find it interesting as this is the rare Warner Bros. piece you’ll find here on my blog. It may only be the second WB thing I’ve posted here. I grew up loving the Looney Tunes characters, but just don’t often get asked to draw them.

 

“I tawt I taw a sidewinder!”

 

Speaking of Warner Bros., this coming Saturday I’ll once again be at the Warner Ranch studio lot in Burbank drawing for the families who needed the services of the Ronald McDonald House this past year due to an ill young member of their family. Should be fun drawing for folks who probably need a little cheer in their lives about now.

…From the Flat File: 2005 – Happy Thanksgiving!

Happy

Thanksgiving!


Whether you like white meat or dark meat, this turkey will taste like watercolor paint and paper. Bon appètit!

 

I thought I would reach into my archives this week and pull out a Thanksgiving themed illustration I did a few years ago based on a favorite television family of mine – the Barones.

I was a big fan of the Everybody Loves Raymond show on CBS, and often went to the live tapings on the Warner Bros. studio lot here in Burbank, CA. It was always so much fun to see the familial relationships played out amongst the actors who seemed to genuinely get along with each other. If they shot a joke a certain way, they’d do take after take with a different punchline until they got the biggest laugh, and all were funny.

I am also a big fan of Norman Rockwell’s paintings, a sentiment I share with many Americans who are moved by his idyllic depictions of life in this country. I was thrilled to see a traveling exhibit of his original work a few years back first in San Diego, then again in New York City. The exhibit included what have become known as Rockwell’s “Four Freedoms” paintings. The Freedom from Want piece in that series always struck a chord with me with its portrayal of a family enjoying each other around the Thanksgiving table.

 

Freedom from Want
Well, it isn’t necessarily from Marie’s Italian cook book, but even the Barone family can enjoy a bit of a traditional turkey dinner. In one episode, they tried a tofurkey to great comical effect.

 

So, when I heard that Everybody Loves Raymond was going to come to an end, immediately Norman Rockwell’s famous painting came to mind. It seemed to be a perfect fit, all the way down to putting Robert in the lower right corner partially cut off as he would expect. Robert always felt he was getting the second fiddle treatment from the family. With a bit of watercolor and colored pencil, this piece was created just for the fun of it.

You know, during the time I was finishing up the painting, I took in a concert at the Hollywood Bowl where I bumped into Doris Roberts. She didn’t know me from Adam, so I probably spooked her a bit when the first words my mind thought to say were, “Oh hi! I was just painting you today!” Smooth, Chad. Smooth.

Pictured with the turkey is Peter Boyle (who passed away a few years ago) and Doris Roberts, then on the left Madylin Sweeten, Ray Romano, Patricia Heaton, and Sawyer Sweeten. On the right is Monica Horan, Sullivan Sweeten, and of course, Brad Garrett. On the back wall is show creator Phil Rosenthal.

On an interesting side note, last year Brad did the voice of a character I designed for a third Zhu Zhu Pets movie that has yet to be released. It was literally a talking rock. It seems as though Robert Barone STILL can’t get any respect.

 

Enjoy Thanksgiving with your own friends and family this week, and remember not only to be thankful for the blessings in your life, but to whom that thanks should be directed. The holiday is modeled after the Pilgrims who gave thanks to the almighty God for their survival in this untamed land. In many ways it is still untamed, and God is the One who deserves our appreciation.

Psalm 136:1 “O give thanks unto the Lord; for he is good: for his mercy endureth for ever.”

Frankensketch

HAPPY HALLOWEEN!

 

 

Frankenstein's Monster
This Frankensketch came alive in one of my sketchbooks!

 

 

Well, I managed to squeeze out one more monster drawing here in what I usually dub “Monster Month”, and I leaned on my go-to guy Frankenstein. This one started as just a Prismacolor pencil sketch in my sketchbook, and I liked how he turned out so I added some watercolor right there in the book!

Yes, you purists out there will say that technically he is Dr. Frankenstein’s monster, and not actually Frankenstein. I differ with you on that, thou nay sayers! If one gives birth to a new life, they take your name. Dr. Frankenstein birthed, sort of, this creature, so by all rights he should also bear the name “Frankenstein”!

Regardless, Frankenstein has appeared a few times on the ol’ blog. In case you would like to explore my past with the big green guy, CLICK HERE to see all the Frankie posts.

Hopefully next October I’ll be back with monster art for each weekday. Until then continue to enjoy the various other art that I post here throughout the year!

Political Zombies

Who is ready for tonight’s final presidential debate? I’ve listened to all the debates thus far and came away with one major observation – both sides have spent much of that airtime attempting to tear down each other without saying much of anything solid about what they can do in the next four years. It has been downright monstrous!

So, in the spirit of the Halloween season, I drew Barak Obama and Mitt Romney as they will likely appear tonight – as raging zombies.

 

Presidential Zombies
Must….have….American……braaaaaaaains!!!

 

And for those of you Monster Month fans of the past keeping track at home, this counts as the second monster drawing of the month! Hopefully next year I can return to the “one a day” principle.

Beast of Burden

For the past three Octobers, I posted a new monster drawing almost daily in what I called “Monster Month”. Here we are in the middle of October, and only one person has asked me where my creatures that go bump in the night are this year. One person.

Well, Mom, it has been an extremely busy year for me working on a new television show, the occasional illustration here and there, and trying to work on a new children’s book. What it boils down to is that there has been a whole lotta art goin’ on that I can’t share on the blog for now, and the monsters I love to draw in my spare time haven’t had room to roam and groan.

That being said, yesterday I got the itch and sketched out this beleaguered beast. It was just one of those things that came out of my stylus without a plan in my head. I began with the mouth, and the rest just fell into place. Background is courtesy of Canson paper, and the art was all done in Photoshop.

 

Monster Month 2012
It’s a hard-knocked life for him.

 

So, perhaps I’ll get another monster or two up on the blog before October is over for the fan who asked. The rest of you can take a look at them as well if you’d like.

The Asphalt Jungle

Last year I did a few character concepts for a potential television program set in New York City. I can’t divulge anything more than that about the project, but I can show you some of the drawings since the producers decided to go in a different direction.

I liked the way these sketches turned out. They were pencil on paper, with a splash of Photoshop color thrown in for good measure. While they all should look like they are living in the same universe with each other, hopefully they portray specific personalities with just their expressions, costumes and body language. That’s always the goal when working on good character design — unless the client wants a series of characters that are cookie cutter to each other. I’ve worked on those kinds of projects, too.

If you’ve already had your shots, enjoy the drawings!

 

copyright Chad Frye

copyright Chad Frye

copyright Chad Frye

copyright Chad Fryecopyright Chad Frye

The Immigrant

A couple of months ago I discovered a page on Facebook called Humans of New York (also known as HONY). The page features multiple portraits of New Yorkers as seen through the keen eye of photographer Brandon Stanton. With over 300,000 followers, I was a little late to the party.

Brandon does what I like to do – he people watches. I tend to sit in public places and covertly try to capture someone in a sketch. He takes a much bolder approach by asking his subjects to quickly pose for a photo wherever he happens to see them. The result is a fascinating cross-section of humanity sharing the streets of the Big Apple.

One of Brandon’s shots a few weeks ago really snagged the attention of the character designer in me. He got this shot of an old weathered Greek man who, despite having been in this new country he now loves for fifty-two years, still looked as though he was from his homeland.

 

The Greek Man

 

The whole Old Country immigrant in America thing really struck me when I saw the photo. Not only did this gentleman have a great look, but it triggered the personal remembrance that I am only a few generations away from immigrants in my own family. My great grandparents came here from Europe for a new life, and I have a relative that passed through Ellis Island. Like this gentleman, they held a soft spot for home, but were intensely proud to become Americans.

For that I am truly grateful.