Step-By-Step: Yogi Bear’s Pic-A-Nic – Step 1

Recently I created a traditional watercolor painting of Yogi Bear, his buddy Boo-Boo, his girl Cindy Bear, and the Ranger for inclusion in a Hanna-Barbera themed art show at Van Eaton Galleries in Sherman Oaks, CA. (Photos from the opening night reception are in yesterday’s post.) Van Eaton invited over 100 artists to participate in what is a spectacular display of creative interpretation of the Hanna-Barbera stable of characters. The show will be on display until April 20. (CLICK HERE for details if you would like to go see all the work!)

When I was first approached to contribute, I was slightly hesitant. You see, I grew up watching Looney Tunes cartoons, and even some Disney ones on the side, but the Hanna-Barbera shows rarely saw face time in our family room. So I didn’t have any childhood fondness from which to draw – literally.

I did, however, help my pal Dana Thompson paint a Yogi Bear children’s book back when I was a young illustrator. The book had been penciled by famed Hanna-Barbera designer Iwao Takamoto, and I remember how we enjoyed looking, with great admiration, over Iwao’s very precise and brilliant pencil lines. So, with fondness for that experience, Yogi Bear was destined to be my subject.

 

Yogi Bear book
Penciled by veteran Hanna-Barbera designer Iwao Takamoto about eighteen years ago, Dana Thompson recruited me and fellow illustrator Julie Speer to help him paint this Yogi Bear children’s book on a tight deadline.

 

To make it interesting for me, my mind wandered into the realm of parody. Exactly one hundred fifty years ago in 1863, Èdouard Manet created his massive 105 by 85 inch oil painting titled The Bath which later became known as The Luncheon on the Grass. He had created his piece for a group artist show in Paris, but the jury rejected it. Its subject matter was deemed unfit for the tastes of the day, and they didn’t care much for his technique and seeming ignorace of perspective by having the figure in the background appear far too large to be natural. So, Manet entered it in the Salon des Refusès which was a show of rejected paintings put together to spite the big show. Many pieces from the rejected show went on to define the modern art of their age.

While I don’t anticipate any controversy with The Pic-a-nic on the Grass (my parody title of course), it seemed like a fun way to portray the Yogi Bear cast in that natural setting along with the picnic basket that was always the focus of Yogi’s energies.

So, as with any artistic process, it must begin with a drawing. These days I generally do my preliminary work on a Cintiq tablet (a fancy monitor that allows you to draw right on the screen with an electronic pen). I work in layers in Photoshop so that I can resize and redraw bits and pieces here and there to get my composition just right. In this case, the setting was already figured out for me since I was doing a parody of an existing piece of art. I don’t often do this, but I imported Manet’s painting into Photoshop, and literally traced his environment.

Then I drew, and redrew Yogi Bear, Boo-Boo, Yogi’s girl Cindy Bear, and the Ranger along with the picnic blanket containing elements from Yogi’s world and Manet’s painting.

 

Èdouard Manet
You can see that my drawing closely follows the layout of Manet’s painting.

 

The next step was to get that digital drawing onto actual watercolor paper. After figuring out what I wanted the final size to be, I printed out the drawing in two pieces onto Strathmore Layout Bond paper, taped them together, then traced them down onto my watercolor paper using homemade graphite paper (same concept as the old time carbon copies one might have done in the days of typewriters).

 

watercolor paper
On top is graphite paper made by rubbing a soft pencil lead on one side of tracing paper. The graphite side faces down onto the surface of the final watercolor paper, you place a drawing on top, then trace down with a pencil.

 

The watercolor paper I used was Strathmore’s rough textured Watercolor Block paper. The paper comes in a stiff stack that prevents the paper from curling up when you apply wet media to it. I actually prefer Arches brand because I feel I can have more control over the paint on Arches, but I still have some of this Strathmore in the studio and decided to use it for this piece.

Once the drawing is down on the paper, you can erase the graphite and redraw areas if you feel it is necessary. I then taped down the borders of the image area with white Artists’ Tape (low tack so it peels up easily later, but also helps give you a clean edge to your painting if so desired). It is now ready for paint!

Come back tomorrow to see the first steps in the painting process!

Happy Presidents’ Day – 2013

Here in the United States we used to separately celebrate the February birthdays of our two favorite Presidents, George Washington (February 22)  and Abraham Lincoln (February 12). Somewhere along the way somebody got tired of paying people to frolic and play for two days, so they combined the two holidays into one (February 18) and called it the generic “Presidents’ Day” even though many Presidents didn’t earn the right to be celebrated.

Abraham Lincoln is definitely one who deserves celebrating, most notably for ending slavery and trying to mend a fractured nation. He is honored, along with George Washington, by being pictured on both coin and paper money. Towns, schools, cars, even logs are all named after Lincoln. He is a memorable part of Disneyland, and has been the subject of many books, movies, and television shows.

One of the earliest portrayals of Lincoln in film was by Charles Brabin for the short His First Commission in 1911, roughly a mere ten years after motion pictures were invented. Lincoln has been portrayed in films and television over 300 times by actors such as Walter Huston, John Carradine, Henry Fonda, Jason Robards, Hal Holbrook, Gregory Peck, and more recently by Daniel Day-Lewis.

For all these reasons, and the fact that he has such an intriguing face, I felt compelled to try a more grown-up approach to painting than what I am used to. Using red, white and blue as my palette, this piece came forth last weekend in watercolor with a hint of colored pencil here and there. While employing a more mature technique, I’m still a cartoonist. So this remains a caricatured interpretation of a President I admire greatly.

 

Abraham Lincoln
Abraham Lincoln in all of his red, white, and blue.

 

If you are interested in seeing my preliminary drawing for this painting, please come join my Facebook page where it is exclusively on display. You can keep up with my blog posts there, along with seeing extra drawings that get posted ONLY there. CLICK HERE to visit my Facebook page!

A Bird In the Hand…

…is worth a bird in the belly! Of course I’m kidding. I’m sure this bear and bird are the best of pals.

I recently did a little drawing of a bear for a friend, and was pleased with the result. Thought I’d do one for myself this past weekend.

For those of you curious about the method of execution, I used a black brush pen on bumpy watercolor paper with some watercolor paint thrown on for good measure. Keeping it all loose makes it feel a bit energetic and whimsical, don’t you think?

 

Bear & Bird watercolor
It’s as if two buddies are catching up on old times. So long as the bigger of the buddies doesn’t end the conversation by eating his pal.

…From the Flat File: 2003 – Aquarium

Ten years ago my good friend and composer Nicholas Lawrence asked me to design a CD for him that was to feature his original compositions inspired by his love for sea life. Titled Aquarium, the concept lent itself to fun graphic possibilities, so I accepted!

I first met Nick when he was just a student in the film music program at the University of Southern California (USC) where some of his professors were Elmer Bernstein, Leonard Rosenman, David Raksin, Jerry Goldsmith and Christopher Young. He and I both attended the same church, and with his interest in composition and my love for film music, we had an instant common ground. Friendship had to ensue.

While I am an illustrator first, it seemed that Nick’s new concept album should be given a stripped-down minimal graphic treatment to the art. He performed his music for the album on electronic instruments in what could be considered a New Age instrumental style. So, using my illustration abilities, the cover art was created completely as a gouache painting just hinting at the variety of sea life the music evoked.

Nicholas Lawrence - Aquarium
This is the front cover of Nick’s CD called “Aquarium” (in case you couldn’t tell).

 

For the rest of the album design, I dusted off my old college graphic design training and played around with hand drawn art and digital type composited with Photoshop. Here is a sampling of what the CD itself looked like.

 

Nicholas Lawrence CD
This is the design of Nicholas Lawrence’s actual CD.

 

If you’d like to see the rest of the album art, and would like to hear Nick’s music, CD Baby is offering the CD for the low price of $4.99 right now. CLICK HERE to listen to free samples and to order your very own copy. This is the only CD art I’ve done for a commercially available item – unique in my artography!

Parasite Illustration for Answers Magazine ………. (part 3)

So, today is the unveiling of my latest illustration for the article Parasites – Unwelcome Guests featured in the latest issue of Answers Magazine (Vol. 8, No. 1, Jan-Mar 2013). If you have followed the past two posts about the process this week, you are ready to see some final artwork!

After the final drawing (shared here yesterday) is approved, I print it out and then trace it onto my watercolor paper with regular pencil. I use the VERY nice and very expensive Arches watercolor paper onto which I apply my Winsor & Newton paint. The edges of the painting are taped with white artists tape (it usually doesn’t rip up the surface of the paper when you pull it up later) because when I do a full bleed painting, I like nice clean edges.

 

Painting in progress
This is the first I thought to take a photo of the work in progress. Quite a bit is covered at this point. In the unpainted areas, you can see some purple underpainting where shadows will be. Never use black. There are no black shadows in real life – just darker colors.

 

painting in progress
This is just a close-up of the previous image. You can see how the paint job is pretty sloppy. Sometimes in this moment you can lose focus, but you have to keep that final image in your mind so that you can get it where you want it to be.

 

watercolor painting in progress
The painting part of the illustration is almost done here. Once the color is all laid in, I will go in and continue with colored pencil. The paper is textured which gives the paint and pencil a nice look together.

 

So, now for the grand unveiling. Drumroll please…..

 

Parasite Monster Illustration
And here is the final parasitical illustration after the colored pencil was applied. While it was printed at roughly 7.5″x10″, the original painting is 14.5″x18″.

 

Hope you enjoyed the little behind-the-scenes of creating this piece. Painting is a lot of fun. Whether you are a beginner or a seasoned artist, grab a brush and paint something on paper! There is nothing like it. At the end of the day you can sit back and hold your creation in your hands – hopefully with some satisfaction. Then go do another one!

Parasite Illustration for Answers Magazine ………. (part 2)

Yesterday I shared with you three concept sketches for an illustration about parasites for the 2013 Jan-Mar issue of Answers Magazine, the quarterly publication of Answers In Genesis. If you guessed that the sketch of the sports fanatic was chosen you would have been correct.

Murphy’s Law dictated that the red sketch had to be chosen because it was the one that had the most detail in it. I love detail because it is fun to look at, but at the same time, I loathe it because it is pretty time consuming to pull off. The art director also loved the detail, but wanted some of that detail changed. Below you can see the first version of the scene again (it is the same as in yesterday’s post), and then the altered version so you can see what changes were made. I drew these in Photoshop on the computer, so breaking parts off and changing them is a little easier to do than if it had been drawn on paper.

 

Parasite Illustration
This was the first version of the sketch. Notice the food on the table are cookies and chips and soda. 
Hungry Beast
Some of the bagged junk food has now changed to more elaborate junk food like pizza, hot dogs, and fried chicken. Apparently parasites don’t care about cholesterol.

 

Now, the above is still just a concept drawing. While most of the detail is present, this is in no way ready for final art. The next step is to do a final “pencil” drawing to tie down everything as it will look in the final. The art director needs to see the final tight drawing before he can give the approval for the illustrator to move forward into final color. The drawing below is the final drawing, again created on the computer for ease in making any edits to the design. This time they liked it as is.

 

Parasite illustration drawing
This is the final drawing created for the magazine’s approval before moving into the color stage.

 

You can see how the final drawing really hasn’t changed much, but all the details are made clearer – some are even new additions. Once approved, then the toughest part begins – creating the final painting. Many of my illustration colleagues create their final art completely on the computer these days. I have done that now and then, but for the most part I prefer to make a real watercolor painting with colored pencil accents. There is something about the real painting that computers cannot completely replicate – kind of a handmade feel to them. I almost always can tell when a “painting” was done on the computer as opposed to paper or canvas.

That being said, I will create my own personal color composite of the piece on the computer, especially for something as complicated as this. It helps to make those color choices where you can erase and redo. Watercolor on paper is not easily undone.

I don’t usually show the color comp to anyone because it is sloppy. It is just something to aid in my process, and won’t necessarily be precisely followed in the painting. So, here is the rare peek…

 

rough color comp
My personal color comp. This was where I decided to make the floor wooden. You can see crop lines in there to indicate the printed area of the illustration, but one must ALWAYS paint in a generous “bleed” area around the image in case the client needs to shift it or change the dimensions they originally planned for.

 

Tomorrow I’ll share with you the final painting along with a couple of “in progress” moments!

Parasite Illustration for Answers Magazine ………. (part 1)

Back in early winter, Answers Magazine contacted me to create a custom illustration for them. They are a science magazine written from a biblical point of view. You may recall that about two years ago I did a five-page spread for them about white blood cells (CLICK HERE to see post). This time the assignment dealt with PARASITES!

Dan Stelzer, Answers‘ Magazine Designer, sent me the article which was a straight-up scientific view of the role parasites play in life. THANKFULLY, he wanted me to use my humorous approach to the illustration which I was more than happy to do.

Out of curiosity, I actually did a quick scan of the web to see what was out there in the real world of parasites. It was very inspiring in developing completely fake ones.

So, Dan suggested a large parasite invading a family’s dinner table. I roughed out a quick sketch of one for him, and then came up with two more ideas for him and his team to consider…

 

Parasite Humorous Illustration
Look who’s coming to dinner! Yikes! No table manners AT ALL!

 

Parasite Illustration
The sports fanatic dominating a family’s personal space seemed like a good way to show how parasites can be invasive.

 

Goldilocks parasite
And now for something COMPLETELY different, who was the biggest parasite in children’s literature? Goldilocks of course! I got this idea after looking at the teddy bear in the boy’s hand in the first concept drawing.

 

So, which one do you think they picked for the magazine? Check back tomorrow where I will reveal the chosen one (sounds ethereal, doesn’t it?), and will show more steps in the process towards the final painting.

Merry Christmas 2012

Christmas is upon us once again. Many thoughts and prayers have been with the families of Newtown, Connecticut following their unspeakable sorrow this season. When news of that tragedy crackled over the airwaves, I was putting the finishing touches on the painting for my annual Christmas card – a card with the theme of coming to Christ the Savior with a childlike faith.

 

O Little Town of Bethlehem

 

I pray this Christmas that you will hug your kids a little harder, open a Bible to Luke chapter two, and read to them the reminder of how God the Father sent his only Son as a sacrifice for the sins of mankind. Whether or not you are religious, let your children hear the reason for why the name of Christ is a part of the name of this holiday we hold dear.

Merry Christmas.