Drawn & Quoted: Garrison Keillor

“Some luck lies in not getting what you thought you wanted, but getting what you have, which once you have got it you may be smart enough to see is what you would have wanted had you known.”

– Garrison Keillor (1942 –       )

 

Prairie Home Companion

 

A Prairie Home Companion came to Los Angeles this past weekend. Lake Wobegon was a long way from home when Garrison Keillor brought his well known NPR show to the famed Hollywood Bowl. Regrettably, I let the opportunity slip by to get my tickets to see the rare recording of an actual radio show – a true dwindling art in the world of entertainment.

However, I did have the good fortune to be able to meet Mr. Keillor when he did a book signing the next day at the wonderful Vroman’s Bookstore in Pasadena. Vroman’s has been a Pasadena staple for over 100 years. It is a beautiful locally owned two-story book store that really understands its community far better than Amazon ever will. They host countless author chats and signings, and champion local community events and causes.

Garrison Keillor, in his white summer suit and trademark red sneakers, was so charming and affable to each and every customer who came out to buy his new Guy Noir and the Straight Skinny book. He exhibited every bit the gentle, down-home persona that you hear on the radio. I was so intrigued by his unique face, that when I came home from the signing, I felt the urge to draw him.

So, enjoy the drawing, and if you aren’t familiar with Garrison Keillor’s work, take a listen any weekend on NPR to his tales of Lake Wobegon “where all the women are strong, all the men are good looking, and all the children are above average.”

Danny Elfman

One week ago today I had the opportunity to attend a Q&A session at Warner Bros. Records with the one and only Danny Elfman. Noted film score historian Jeff Bond sat on a makeshift stage in the woodsy outdoor setting and conducted an interview with Danny for almost two hours including a generous amount of questions from the rapt audience. Danny’s latest film score, Dark Shadows, was released by Warner that day on CD and marks the 14th big screen collaboration Danny has had with film director Tim Burton that began twenty-seven years ago with Pee-Wee’s Big Adventure.

As a genre, I am enamored with film music. It is music that tells a story – quite literally. As an illustrator and artist for animation, my drawings are also used to tell stories. There’s nothing more appropriate to draw to than a great film score. In fact, I created this little caricature illustration of Danny from the Q&A while listening to his hauntingly beautiful new score.

 

Danny Elfman
Danny Elfman at Warner Bros. Records on May 8, 2012

 

I first became aware of Danny when I was in high school. Tim Burton’s gothic Batman was unlike anything we had seen before of the Caped Crusader on screen, and that music with the swirling moody melodies and the creepy chorus was just exhilarating. Mr. Elfman has continued to carve out a most unique voice in the world of film music, a few of my favorites being Edward Scissorhands, the rapturous Black Beauty, Good Will Hunting, and Standard Operating Procedure. He is having a busy 2012 – still to come will be Men In Black III and his 15th Burton movie, the black and white stop-motion animated Frankenweenie.

Thank you, Danny, for all the auditory enjoyment you have summoned from the shadows thus far, and yet to come. Whether or not you agree when looking at this piece, my drawings truly ARE better for it.

2011 Monster Month: Day 1 – The Drawing Dead

WELCOME to the return of Monster Month!

This is my third annual offering of a piece of monster art every week day throughout the month of October. Some creatures will manifest themselves as watercolor paintings, some as inked drawings, digital art, pencil drawings, and even sketches direct from the pages of my sketchbook.

Word must have gotten out, because this past year I actually had a few commissioned monster assignments come across my desk, so I’ll be sharing some of those monsters with a purpose as well.

As has become tradition the past couple of years, the first monster drawing of the month was inspired by my mirror. In year one I was Frankenstein’s monster, and year two I was the Wolfman. So, with zombies being the most media savvy beasts these days, Monster Month will be kicked off with the Chad Frye Zombie! When creating my art, I’m usually most conscientious about the composition, but this time, I had to keep in mind the decomposition. (Can I have a rimshot, Smitty?)

 

Chad Frye Zombie Guy
You might think this is a creepy drawing, but it’s really how I look in the mornings. Be thankful this is only a drawing – I haven’t brushed my teeth yet.

 

Well, there you have it. And to think I did have braces when I was a teenager. Zombie life can be so unforgiving, especially on my skin. Sooo hard to keep those pores open.

Tomorrow I’ll share with you some behind-the-scenes goodies on the piece of art that got me started on this whole monster kick.

 

Fans of Film Music 2011 – Part 2

A few days ago I shared with you a few sketches I did last weekend of several composers I had the privilege of seeing at a panel discussion about their line of work. Their line of work helps put me in the frame of mind to do MY line of work (which is drawing if you didn’t already know), so why not do some doodles of these musical artists the only way I know how – in CARICATURE!

I stress the word “caricature” because with my last posting, there seemed to be some who missed the fact that I’m a CARTOONIST when responding to my art. I don’t do flattering portraits. My hand can only draw how I really see the world, so be afraid – be very afraid.

Seriously though, I have the utmost respect for my subjects. I LOVE their music, and really appreciated their insights brought forth by moderator Daniel Schweiger last Sunday afternoon.

So, I present to you today images from my sketchbook of David Newman (Hoffa, The Affair of the Necklace, The Spirit), Nicholas Pike (Parasomnia, Return To Me, Star Kid), Lee Holdridge (The Tuskegee Airmen, Splash, Secret of Nimh 2), and Ken Thorne (Superman II & III, Lassiter, Help!). Enjoy!

 

David Newman, film score composer
David Newman composes wonderful music for many comedies including quite a few of Eddie Murphy’s movies, but some of my favorites have been for dramas like “Hoffa” or the Oscar nominated “Anastasia” or for action-adventure like “The Phantom” or “The Spirit”.

 

Nicholas Pike
The first CD I ever picked up by Nicholas Pike was his score to “Return to Me”, a movie starring Minnie Driver. That great CD also introduced me to the musical stylings of funnyman Jackie Gleason who conducted really great (forgive the term) “elevator music” that I just love.

 

Lee Holdridge
While Lee Holdridge has composed many great scores for movies and television, he also was good friends with John Denver and had arranged many songs for the Country Boy.

 

Ken Thorne
At 87, Ken Thorne was the eldest of the composers on the panel, and also was the only one with an Oscar which he won in 1967 for his work on the movie “A Funny Thing Happened On the Way to the Forum.”

 

Thanks again to the great Peter Hackman for getting film music fans together for such a great event! Looking forward to next year’s!!

Fans of Film Music 2011 – part 1

I have a confession to make. It’s not something that I talk about much here, but it’s something that is a part of my daily life. It’s an obsession really. I’m not ashamed of it, but I’m also not sure how common my obsession really is. So, here goes….

Hi, I’m Chad, and I’m a film musicaholic.

Whew. Felt good getting that off my chest. Really, though, I love orchestral film music – especially while I am doing my drawings, and living here in the Hollywood area there are multiple opportunities to feed this hobby of mine. This past year I met a fella from the midwest named Peter Hackman who shares in this passion. So much so, that he formed a group called Fans Of Film Music, and this past weekend Peter put together a terrific event that film music fans across the globe should know about.

 

Brian Tyler film composer
Here is the youngest of the composers on the panel, Brian Tyler, whose recent score to “Fast Five” actually makes me draw faster.

 

First, Friday evening about 30 film music enthusiasts gathered at a restaurant in Silver Lake, CA just to swap stories and get to know each other. I had never been to anything like it, and was amazed to meet these folks, many of which work in the film business or in the music industry. It was amazing hearing tales of being at James Horner’s first film scoring recording sessions, or about encounters with legends like Jerry Goldsmith or John Williams.

film scoring

Many of these folks attended the John Williams concert held at the Hollywood Bowl Saturday night, but quite frankly, the icing on the cake is what went down Sunday afternoon at the Dark Delicacies store in Burbank. Mr. Hackman was able to gather together some amazing composers for a panel discussion open to only 45 attendees: Brad Fiedel (Terminator, T2, True Lies), Lee Holdridge (Old Gringo, Mists of Avalon, Splash), David Newman (Nutty Professor, Hoffa, Ice Age), Nicholas Pike (Return To Me, Sleepwalkers, Star Kid), Ken Thorne (Help!, Lassiter, Inspector Clousseau), Brian Tyler (Fast Five, Battle: LA, Rambo), and Christopher Young (Priest, Love Happens, Spider-man 3). Aaron Zigman (The Proposal, The Notebook, Flash of Genius) was scheduled to attend, but had a family emergency that prevented his attendance. Wonderfully moderated by film music critic and historian Daniel Schweiger, the hour and a half panel was riveting with these maestros telling tales of their experiences in their chosen profession.

I had a great seat, and sat there with my sketchbook in hand working on quick sketches of the panelists. Once at home, I finessed the drawings a bit. Anyone could show you photos of the day’s events (which you will probably be able to see on the Fans of Film Music Facebook page very soon), but I thought I’d share with you a few drawings instead…

 

Film Composer Brad Fiedel
Brad “I’ll be back” Fiedel who first really caught everyone’s attention with his score for “The Terminator.”

 

Christopher Young film composer
I first met Chris Young probably over 10 years ago when I visited a class he was teaching at USC, and have always found him to be a generous man.

 

If you like these, perhaps I’ll show you some more sketches of the other panelists later in the week. And if you’d like to see other art of mine related to the world of film music, CLICK HERE!

From Palms to Pines

A few weeks back I learned that my friends Abi and Harrison Craig were going to be leaving Los Angeles with their family and heading to Kentucky. Harrison has accepted a job working on the Ark Encounter, a Bible-based theme park that is currently in the planning stages. It is being put together by Answers in Genesis, the people known for the Creation Museum in Petersburg, Kentucky.

You may remember Answers in Genesis here on my blog. Last year I told you about an illustration assignment I did for their publication, Answers Magazine (click HERE to see it again). In fact, I believe it was just recently republished in their special 5th anniversary issue.

Well, Harrison wanted a drawing of his family to commemorate this big change in their lives. His kids have only known California, and they are excited about this grand new adventure that they set out on this week. I thought I’d share with you the drawing in it’s three stages: rough sketch, final inked art, and the full-color final piece.

Working from photographs, I worked out the rough drawing with blue pencil on tracing paper. It went through a couple of alterations as per Harrison’s request, then I made a few spacing and size changes with Photoshop on the computer.

 

Craig Family Vacation
Click on image for a slight enlargement.

 

You may notice some details like Noah’s ark on the pennant since they are going to work on the Ark Encounter. And if you noticed a chicken in the van, that’s because while the Craigs lived here in L.A., they had a chicken coop providing them with plenty of fresh eggs daily. Originally I had thought to add some chickens chasing the van, but then the idea of leaving palms for pines came to me and seemed like a better idea. So, one chicken made it into the van, although I don’t believe the same could be said about the real life chickens. Well, leastwise not sitting next to the bellies of those boys. (cough cough)

The next step was to print the blue lines out on a piece of 14×11 paper, and using a piece of graphite paper (similar to carbon paper but using pencil lead instead) under the print, I traced the drawing down onto a nice clean sheet of Bristol board. It was on this piece of Bristol that I hand-inked the art using a Pentel brush pen (a most excellent tool I don’t know how I ever lived without) and Prismacolor black tech pens.

 

From L.A. to Kentucky
Click on image for a slight enlargement.

 

Then, it was time to color. Scanning the art into the computer, the color was added in Photoshop. I chose to keep things fairly flat, only really shading the skin tones of the people. The grass and van have some gradations, but by focusing the shading on the skin tones, it draws attention to the characters rather than to the environment.

 

Road Trip
Click on image for a slight enlargement.

 

Well, there you have it. The A to Cs of a cartoony caricature drawing of one swell family.

Happy 100th Birthday, Burbank?

Burbank, oh Burbank – what was THAT!?

Just two weeks ago I first learned that my fair city of Burbank, California, was going to be celebrating their 100 years of incorporation on July 8, 2011 with the “Party of the Century.” I myself chose to live in beautiful downtown Burbank fourteen years ago when first arriving in Southern California. The city is clean, well-groomed, quiet, and relatively safe. It reminded me of the town in which I grew up in New Jersey.

Burbank’s “Party of the Century” kicked off at 5pm Friday afternoon with the opening of a time capsule containing the history and treasures of the bygone days of 1986. I didn’t get home until 7 from my job in another town, so I missed seeing the mayor pull out a pair of leg warmers and a Born in the U.S.A. album. Missing the opening ceremonies did not dampen my enthusiasm for getting down to the promised giant pedestrian party being held on 4 or 5 blocks of San Fernando and even part of Olive.

While walking to downtown, I could imagine the wafting scents of funnel cake, popcorn and cotton candy. Thoughts of sizzling marinated BBQ were making my mouth water! Finish it off with snow cones, Italian ice or ice cream! Maybe they’ll have bounce houses for the kids! There surely will be a plethora of face painters, balloons, carnival games, contests for families – perhaps a great commemorative T-shirt to buy, maybe local artisans with wares! Will the local equestrian community trot out their horses for pony rides? Or will the LA Zoo next to town have a petting area with non-dangerous animals? All are things one would dare hope for at a great street fair!

Arriving on the Media Center Mall end of the strip, my excitement could hardly contain itself! There were THOUSANDS of people on the street! First thing to see was a stage where some girls were doing a dance demo. Ok, not my speed. Moving forward, there was a line of about 30 people waiting to see a lone balloon animal maker. Oh well, on to see what was beyond that first block. I was on the hunt for a grilled savory piece of meat.

Meat? Not yet. To the left there were three vendors – a honey vendor, fruit, and flowers – three booths common at our weekly Farmer’s Market. Little did I realize at that moment that they were the ONLY vendors at the event selling anything!

The town certainly had the entertainment covered. I’ll grant them that. Total there were 4 1/2 stages with various groups performing. I spoke to the sax player of a zoot-suited band who told me they traveled over from Idaho for our shin dig. Idaho. Not Burbank. Not even from LA.

The tents started at this point. Now I should find those street fair goodies I am looking for. Nope. The tents almost entirely featured Burbank services (library, credit union, fire dept., etc) or businesses that were in some fashion associated with Burbank’s government (airport, Cusumano Real Estate who owns half the town, Lockheed Martin, etc.). Most were just giving away pamphlets advertising their services. If you were lucky, you could get a pin or a stick-on tattoo.

Where was the fun?

 

Bob "Burbank" Hope

I’m sure the Burbank City Council is slapping themselves on the back – one council member told a friend of mine that 28,000 people were in attendance. If the goal was to support the Burbank businesses who happened to border the party area, then congratulations on a job well-done. There were lines out the door of any restaurant you could find because they were the only source of food or drink (and incapable of handling 10,000 people let alone 28,000).

But this was supposed to be a celebration of our whole city. Why didn’t I see tables of food from longtime Burbank businesses like The Smokehouse, or Chili John’s, or Coral Cafè, or Santoro’s, or Giamela’s, or Riverside Cafè, Bob’s Big Boy (oldest one in the country!), Pinocchio’s, Tony’s Bella Vista, or even that dude down on Magnolia who grills up all kinds of meats on Saturdays for his customers?

Our town is where movies are made. Why didn’t anyone think to construct a giant screen somewhere showing clips of films and TV shows shot on the streets of Burbank? Back to the Future, Clint Eastwood films, Apollo 13, CSI, Parks & Recreation, even Jurassic Park: The Lost World which shot on the very street where we were “partying”.

Where were the family activities to inspire civic pride? How about a William Mulholland Dunk Tank (he built the aqueducts for LA), a Luther Burbank Fruit Smoothie stand, a Luther Burbank look-a-like contest, performances from our local senior center talent show, or one from one of our award-winning high school groups? Maybe a Bob “I used to own Burbank” Hope impersonator doing a USO themed act using Burbankisms as a part of it? NBC, The Walt Disney Company, Warner Bros., ABC, and even Universal Studios all have a leg in Burbank, and the town is home to many of their workers – why didn’t they have a strong presence at the festival?

I did hear that the fireworks were ok. I skipped them. After wandering around for an hour and a half with nothing to do and a grumbling stomach, I was home by 8:45 without having spent a dime and with my spirit crushed that my town had failed my expectations so miserably. The craft fairs held there in the past were more exciting.

So, congratulations on your “Party of the Century” Burbank City Council. Please, next time call it “Party IN a Century” so my expectations won’t possibly have a chance to be dashed.

 

Happy 4th of July!

I wanted to wish my fellow Americans a happy Independence Day!

George Washington
I don’t mind the powdered wig so much, but the splinters left behind by the wooden teeth are a bit much.

 

I grew up in Florham Park, the town next to Morristown, New Jersey where George Washington had his headquarters during the Revolutionary War. Seems like every old house in the area claims good ol’ George slept there, including one down the street from my former homestead. Florham Park was actually incorporated BEFORE 1776. Back in those days, the land I grew up on once was part of an apple orchard.  Despite his history with cherry trees, perhaps George rested for a spell against an apple tree there contemplating the daunting task that was before him. It is interesting, and sobering, to consider.

I hope you all enjoy the festivities of the day with your families remembering the trials and risks our forefathers took to establish this country, and that we need to stand strong against those who wish to chip away at those same freedoms whether from outside our borders or from within.