Yeah, yeah, I know – the title is a bit cute and sappy. Well, I LIKE drawing cute and sappy sometimes!
In this case, the cute and sappy was just what the doctor ordered. A friend of mine has been in the hospital for many weeks, and I thought it was high time to send her a little encouragement. Nothing can be more bleak than having four hospital walls to stare at in between bouts of sleep. Short of having a pharmaceutical degree, a giggling bunny seemed like the best medicine I could mix together.
Hopefully the bunny’s presence has made your day a bit brighter, too!
Even though it has been a few years since I worked on a Mickey Mouse project for Disney, I still get a kick out of drawing the gang now and then for friends. This little watercolor sketch was something I did a little bit ago for the first born son of a friend whose friendship began sixteen years ago when we worked side-by-side at Disney Feature Animation.
Thought you all might enjoy seeing it, too.
How a mouse, a dog and a duck ever became best friends is beyond me.
So, today we come to the conclusion of the steps it took to create The Pic-a-nic on the Grass, a parody of Èdouard Manet’s The Luncheon on the Grass from 1863. While the background is virtually finished, the characters and some of the foreground elements need to be painted.
The characters and foreground elements receive a bit of watercolor paint.
Color choices were once again fairly easy. Yogi, Boo Boo, the Ranger and Cindy Bear all have predetermined color palettes from their days in the cartoons. The clothing items on the picnic blanket are right out of Manet’s original painting. The basket, food, and checkered picnic blanket were my little doing while keeping in mind the cartoony nature of Yogi Bear’s Jellystone National Park world.
Like with many of the background elements, wet the blank areas with water first, let them sit a minute to allow the water to saturate the paper, then the paint should be applied on those wet areas. The result is a pretty smooth application of color with seldom random edging in the middle of the figures. You can really see in the image below how the transparent nature of watercolor paint allowed for the purple underpainting to show through creating the shading on the figures.
Cindy Bear and Boo Boo with their top layer of color applied with the purple underpainting showing through creating the shadows.
Originally I had thought to use a dark gray/black for the eyeballs and noses of the characters, but upon reaching this point in the work, it seemed best to just darken those areas with purple. My #2 brush was useful for those areas along with the mouth colors.
Do you see the highlights on the noses? During the first pass at painting the noses (which you can see in yesterday’s post), I had left the top areas paper white. In this later step, I painted some purple in lightly, then let it dry a bit. Once it was mostly dry, I went in with a wet brush and applied water, then tamped up the color lightly with paper towel. In essence, I removed some of the purple which helped give the nose highlights a gentle edge and still remain light purple. Sometimes painting is knowing when to remove paint.
So now that everything is painted, it is time to finish this up. This is where I leave painting behind for a bit and rely on drawing skills. For this image, the edges of the characters are going to be defined with colored pencils. Creating a dark line for the characters will help to define them as foreground elements, and it is a common cartooning convention. Once again, I do not use a black pencil, but I do resort to using a dark purple color called Black Grape (#PC996 in the fine line of Prismacolor pencils).
You can see the colored pencil line is pretty tight, with some sketchiness to help keep things a little loose.
You may notice in these close-ups that there are also some highlights. Those were painted in with some watered down white gouache paint after the dark outline was drawn first. An exception to that is the white on Yogi himself. In his case, I used a white colored pencil for some of his highlights in combination with white paint. The white pencil captured the texture of the paper better.
The tough part wasn’t creating the highlights, but was trying to keep the real Yogi and Ranger still while they modeled for me.
So, there you have it. That’s how you can create a fun watercolor painting in five easy steps! It is fun to see what looked like a little bit of a mess in Step 3 has now come together all ready for a gallery show. Now you pick a subject and give some of these techniques a try!
Here is the final 21×17 inch better-than-the-average-bear painting all ready for hanging!
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Here in the United States we used to separately celebrate the February birthdays of our two favorite Presidents, George Washington (February 22) and Abraham Lincoln (February 12). Somewhere along the way somebody got tired of paying people to frolic and play for two days, so they combined the two holidays into one (February 18) and called it the generic “Presidents’ Day” even though many Presidents didn’t earn the right to be celebrated.
Abraham Lincoln is definitely one who deserves celebrating, most notably for ending slavery and trying to mend a fractured nation. He is honored, along with George Washington, by being pictured on both coin and paper money. Towns, schools, cars, even logs are all named after Lincoln. He is a memorable part of Disneyland, and has been the subject of many books, movies, and television shows.
One of the earliest portrayals of Lincoln in film was by Charles Brabin for the short His First Commission in 1911, roughly a mere ten years after motion pictures were invented. Lincoln has been portrayed in films and television over 300 times by actors such as Walter Huston, John Carradine, Henry Fonda, Jason Robards, Hal Holbrook, Gregory Peck, and more recently by Daniel Day-Lewis.
For all these reasons, and the fact that he has such an intriguing face, I felt compelled to try a more grown-up approach to painting than what I am used to. Using red, white and blue as my palette, this piece came forth last weekend in watercolor with a hint of colored pencil here and there. While employing a more mature technique, I’m still a cartoonist. So this remains a caricatured interpretation of a President I admire greatly.
Abraham Lincoln in all of his red, white, and blue.
So, today is the unveiling of my latest illustration for the article Parasites – Unwelcome Guests featured in the latest issue of Answers Magazine (Vol. 8, No. 1, Jan-Mar 2013). If you have followed the past two posts about the process this week, you are ready to see some final artwork!
After the final drawing (shared here yesterday) is approved, I print it out and then trace it onto my watercolor paper with regular pencil. I use the VERY nice and very expensive Arches watercolor paper onto which I apply my Winsor & Newton paint. The edges of the painting are taped with white artists tape (it usually doesn’t rip up the surface of the paper when you pull it up later) because when I do a full bleed painting, I like nice clean edges.
This is the first I thought to take a photo of the work in progress. Quite a bit is covered at this point. In the unpainted areas, you can see some purple underpainting where shadows will be. Never use black. There are no black shadows in real life – just darker colors.
This is just a close-up of the previous image. You can see how the paint job is pretty sloppy. Sometimes in this moment you can lose focus, but you have to keep that final image in your mind so that you can get it where you want it to be.
The painting part of the illustration is almost done here. Once the color is all laid in, I will go in and continue with colored pencil. The paper is textured which gives the paint and pencil a nice look together.
So, now for the grand unveiling. Drumroll please…..
And here is the final parasitical illustration after the colored pencil was applied. While it was printed at roughly 7.5″x10″, the original painting is 14.5″x18″.
Hope you enjoyed the little behind-the-scenes of creating this piece. Painting is a lot of fun. Whether you are a beginner or a seasoned artist, grab a brush and paint something on paper! There is nothing like it. At the end of the day you can sit back and hold your creation in your hands – hopefully with some satisfaction. Then go do another one!
Christmas is upon us once again. Many thoughts and prayers have been with the families of Newtown, Connecticut following their unspeakable sorrow this season. When news of that tragedy crackled over the airwaves, I was putting the finishing touches on the painting for my annual Christmas card – a card with the theme of coming to Christ the Savior with a childlike faith.
I pray this Christmas that you will hug your kids a little harder, open a Bible to Luke chapter two, and read to them the reminder of how God the Father sent his only Son as a sacrifice for the sins of mankind. Whether or not you are religious, let your children hear the reason for why the name of Christ is a part of the name of this holiday we hold dear.
Whether you like white meat or dark meat, this turkey will taste like watercolor paint and paper. Bon appètit!
I thought I would reach into my archives this week and pull out a Thanksgiving themed illustration I did a few years ago based on a favorite television family of mine – the Barones.
I was a big fan of the Everybody Loves Raymond show on CBS, and often went to the live tapings on the Warner Bros. studio lot here in Burbank, CA. It was always so much fun to see the familial relationships played out amongst the actors who seemed to genuinely get along with each other. If they shot a joke a certain way, they’d do take after take with a different punchline until they got the biggest laugh, and all were funny.
I am also a big fan of Norman Rockwell’s paintings, a sentiment I share with many Americans who are moved by his idyllic depictions of life in this country. I was thrilled to see a traveling exhibit of his original work a few years back first in San Diego, then again in New York City. The exhibit included what have become known as Rockwell’s “Four Freedoms” paintings. The Freedom from Want piece in that series always struck a chord with me with its portrayal of a family enjoying each other around the Thanksgiving table.
Well, it isn’t necessarily from Marie’s Italian cook book, but even the Barone family can enjoy a bit of a traditional turkey dinner. In one episode, they tried a tofurkey to great comical effect.
So, when I heard that Everybody Loves Raymond was going to come to an end, immediately Norman Rockwell’s famous painting came to mind. It seemed to be a perfect fit, all the way down to putting Robert in the lower right corner partially cut off as he would expect. Robert always felt he was getting the second fiddle treatment from the family. With a bit of watercolor and colored pencil, this piece was created just for the fun of it.
You know, during the time I was finishing up the painting, I took in a concert at the Hollywood Bowl where I bumped into Doris Roberts. She didn’t know me from Adam, so I probably spooked her a bit when the first words my mind thought to say were, “Oh hi! I was just painting you today!” Smooth, Chad. Smooth.
Pictured with the turkey is Peter Boyle (who passed away a few years ago) and Doris Roberts, then on the left Madylin Sweeten, Ray Romano, Patricia Heaton, and Sawyer Sweeten. On the right is Monica Horan, Sullivan Sweeten, and of course, Brad Garrett. On the back wall is show creator Phil Rosenthal.
On an interesting side note, last year Brad did the voice of a character I designed for a third Zhu Zhu Pets movie that has yet to be released. It was literally a talking rock. It seems as though Robert Barone STILL can’t get any respect.
Enjoy Thanksgiving with your own friends and family this week, and remember not only to be thankful for the blessings in your life, but to whom that thanks should be directed. The holiday is modeled after the Pilgrims who gave thanks to the almighty God for their survival in this untamed land. In many ways it is still untamed, and God is the One who deserves our appreciation.
Psalm 136:1 “O give thanks unto the Lord; for he is good: for his mercy endureth for ever.”
While most of what I draw and paint skews mostly to the cartoony side of life, now and then projects arise that just deal with type. I actually was trained in school as a graphic designer where dealing with type is VERY common, but I never worked as one. My focus was always illustration and cartooning, so it is interesting when illustration projects come up that deal with typography.
A few weeks ago I was approached with a project to help out my Sunday school class. The class name is called GraceLife, and they already had a logo designed years ago that they used for everything. For this piece, they wanted the logo given a handmade treatment. It was to be used on the cover of a keepsake book for one of our class’ pastors who was leaving us to pastor a church in Ohio.
So, it was drawn on a beige piece of Canson paper, given an ink wash, some red watercolor paint, and a dash of white highlights. It was then finished up with colored pencils and a spritz of ink from a toothbrush.
So, today is the unveiling of my latest illustration for the article Parasites – Unwelcome Guests featured in the latest issue of 
