Jungle Music

Today I thought I would use my abilities to indulge my secondary interest in filmmaking, which is film music. I enjoy film music so much that there is a whole category for it here on the ol’ blog.

I saw Disney’s new version of The Jungle Book on its opening weekend three weeks ago and was completely mesmerized. It has to be a pretty tough gig to take a beloved Disney animated feature, and create a new version of it that is live action, er, animated as well. Director Jon Favreau did a fantastic job of making something old new again not only with the story, but with the eye-popping visuals.

Aiding the visuals in a huge way was the music by veteran composer John Debney. The original Jungle Book was charming in large part because of the music that aided the storytellers. John skillfully wrote a beautiful jungle score of his own that immediately captures your attention, and then audibly gives the audience a nostalgic thrill by weaving in some of the well-loved songs from the original movie. It was enchanting.

It struck me that this was the fourth feature film collaboration between director and composer. Jon Favreau and John Debney first worked together on 2003’s Elf (a personal favorite Christmas movie), 2005’s Zathura, Iron Man 2 in 2010, and now The Jungle Book. Each outing has proven that they make beautiful music together.

I was so enamored with their latest collaboration that I felt compelled to get it down on paper. Ironically, I celebrate their digital masterpiece by using the traditional art tools of watercolor, gouache, and colored pencils. May I present to you, The Two Jons/Johns:

 

Jon Favreau as King Louie dancing in the jungle with frequent collaborator John Debney as Baloo.
Jon Favreau as King Louie dancing in the jungle with frequent musical collaborator John Debney as Baloo.

 

I for one can’t wait to see what their next project together will yield, but you can be sure it will be a swingin’ good time!

Oh, by the way, this is the second time I have illustrated John Debney. The first time was when he worked on one of Jon Favreau’s earlier films Iron Man 2. If you’d like to see that painting, CLICK HERE!

Queen Elizabeth’s 90th Birthday

Today is the British monarch’s 90th birthday. She is longest reigning monarch in Great Britain’s history, and the first sovereign to reach the age of 90. I wish her all the happiness one can possibly have with a life as public as her own.

 

Her Royal Highness
Her Royal Highness

 

Believe it or not, I do happen to have my own Queen Elizabeth story. A few years back I was working on a TV show for Disney called My Friends Tigger & Pooh. It was a CG (computer generated) series that ran for two seasons on the Disney Channel, and became notorious for eliminating Christopher Robin and replacing him with a little girl named Darby (voiced by a very young Chloë Moretz).

As we were preparing the first season to air, we were told that an aide to Queen Elizabeth had called the head of the Disney Channel to voice an opinion on behalf of the queen. “Queen Elizabeth understands that the new Winnie the Pooh series does not include Christopher Robin. The Queen is not amused.” Apparently Queen Elizabeth had a certain fondness for Pooh Bear because, like the queen, he had also been born in 1926 when his first book was published. Queen Elizabeth and Pooh grew up together.

So, due to that phone call, we included Christopher Robin in just a couple of episodes to appease her royal highness.

Silly old queen.

Doris Roberts

So sorry to have learned today of the passing of Doris Roberts over the weekend. I had, on several occasions, been able to chat with her just while out and about in town, and she was always patient and gracious. And to watch her work…what a privilege! I attended many tapings of Everybody Loves Raymond and no one could deliver a line with an icy stare that brought the house down like she could. (In fact, she once did bring the house down literally when she ran a car through the wall of the set for one of the episodes!)

I wrote about Doris here on my blog just last year (CLICK HERE to see that post) after I was able to share with her this painting I had done of the cast back in 2005 – a parody of Norman Rockwell’s Freedom From Want painting. She loved it, just like anyone’s grandmother would have.

 

Ray Romano
“Everybody Loves Raymond” in watercolor based on Norman Rockwell’s “Freedom From Want” painting.

Bunny Trouble

With images of bunnies being in all the stores these days, and half price now (Easter – what are you going to do?), I thought I’d share with you a bunny painting created in collaboration with a couple of young artists.

A couple of years ago I visited my brother and his family at their home in the midwest. It was just around Mother’s Day, which also happens to be the week of my mother’s birthday. I got my head together with my nephews Cameron and Marshall, and we set out to make a birthday/Mother’s Day card for my mom/their grandmom. The idea was to draw ourselves like rabbits since they are a good symbol of spring.

Behold the magnificence of our collaborative masterpiece…

 

Bunnies that all grandmothers adore.
Bunnies that all grandmothers adore.

Batman vs. Superman

With all the ads out there lately for the next couple of big costumed caper movies, it seems like none of our imaginary heroes are playing nice with each other anymore. Marvel has their Civil War, and this week, DC has Batman v Superman. Can’t we all just get along?

SPOILER ALERT! I am about to show you how the epic battle begins between the Dark Knight (Ben Affleck – Batfleck) and the Man of Steel (Henry Cavill). Not having seen the actual movie myself is really of no consequence. I KNOW this is what happens, and by refusing to remove their capes, you can only guess the troubles to come…

 

epic battle
Edna Mode knows a thing or two about cape calamities.

 

I liked how Batfleck turned out, so here's a close-up for you.
I liked how Batfleck turned out, so here’s a close-up for you.

Nancy Reagan 1921-2016

I was saddened to learn of former First Lady Nancy Reagan’s passing yesterday. President Ronald Reagan and Nancy graced the White House with an elegance and charm during their stay in the 1980s. Unlike any United States president in my lifetime did I ever see so many Democrats and Republicans working together and seeming to enjoy each other’s company as much.

I never did meet Mrs. Reagan, but was pleased on one occasion to have met her husband, though he was in the early stages of his Alzheimer’s. Even in that moment well past his presidency, Mr. Reagan cut an imposing figure in person, and had my earned respect for the public office he once held.

The following is a drawing I did a few years ago for President Reagan’s 100th birthday (which you can read by clicking here). I tweaked it a little last night, and felt in light of Mrs. Reagan’s passing (whom I had never drawn), I would post this piece once again of her husband in her honor.

 

Ronald Reagan
Ronald Reagan

The Making of a President – Step 1

That’s a pretty austere title, isn’t it? The Making of a President. While I don’t fancy myself a political puppeteer making it possible for certain people to take possession of the Oval Office, I do, from time-to-time, make images of presidents. Today I wish to share with you the methods used to make the illustration of John and Abigail Adams that I posted here yesterday.

First, this started with an idea from Jenny Dillon, the art director of Clubhouse Magazine. She needed an illustration of the Adams family (not the creepy one) in a presidential home looking like they were in love with lots of love letters strewn about them. Specifically, she asked that I make it look like they were taking a selfie as I had done once before with Abraham Lincoln.

The first thing I needed to do was a little research into what John and Abigail looked like when he was the President of the United States. As best as I could decipher, these are what they looked like from old art made of them back in the day.

 

Paintings (no cameras back then, kids) of seasoned versions of Abigail & John Adams.
Paintings (no cameras back then, kids) of seasoned versions of Abigail & John Adams.

 

As I always do, I worked out my initial rough sketch of the shmoopy-faced couple digitally on my Cintique monitor. That is a special computer screen that allows me to draw with an electronic pen (a stylus) right onto the screen. For this, I used the Photoshop program.

 

This is my first rough of an elderly Abigail & John Adams still in love after a lifetime of love letters.
This is my first rough of an elderly Abigail & John Adams still in love after a lifetime of love letters.

 

First sketches are just that – a first pass. It is the first time artist and art director can see what the possibilities are with the concept. This means there is time for refinement. When I was a young illustrator first starting out, I HATED drawing things more than once. It was a by-product of youthful impatience. I always felt my first drawing was genius. I was stupid. Being able to go back and work on poses, expressions – even the environment – not only gives you a  chance to improve the scene technically with a better drawing, but it also gives you reason to think more about the image and perhaps come up with more ideas to make it better.

Upon reflection, the first sketch made our happy couple look like old geezers. This was primarily an article about love between a courting couple in a kid’s magazine. So, I took a second stab at it making Abigail look younger, again based on old art created of her.

 

Here is my second take on the happy couple, but while Abigail looks like a blushing schoolgirl, John Adams looks like an old creeper by comparison. Another version is in order.
Here is my second take on the happy couple, but while Abigail looks like a blushing schoolgirl, John Adams looks like an old creeper by comparison. Another version is in order.

 

Guess what? Now Abby looks young and cute, but in the arms of a creepy old man! Yikes! Even though John was nine years older than Abigail, there was no reason he should look like the age of her grandfather. So, one more pass should do the trick.

By the way, the brown tones and pink I threw in there were just to make it easier to see what is going on in the art since there is so much detail. It doesn’t necessarily mean that will be the final color scheme. You can see I left it out of the last sketch below since by this time all parties involved just needed to see little tweaks to the drawing.

 

Old art of a young Abigail Smith and John Adams.
Old art of a young Abigail Smith and John Adams.
Ah, now Abigail & John Adams look a bit more relatable to each other. This love stuff is HARD!
Ah, now Abigail & John Adams look a bit more relatable to each other. This love stuff is HARD!

 

To make John Adams appear younger, I gave him a little more hair on top (perhaps even more than his young portrait showed), darkened his hair, and gave his face more angular features – less rounded. This one was a keeper!

Tomorrow I will show you the next steps using traditional art methods (real paint & paper believe it or not!) in creating the illustration.

 

Happy Valentine’s Day 2016

Today, when many thoughts are turned to love, I wanted to share with you a lovey-dovey illustration I created for a children’s magazine.

Clubhouse Magazine, a publication for kids put out by Focus on the Family, hired me last year to illustrate a story they were running in their 2016 February issue about the love between our second United States President John Adams and his wife Abigail Adams. Before he was president, John Adams was a lawyer who courted Miss Abigail Smith, and a big part of their courtship involved written letters. Even their life as a married couple spending time apart from each other in the tumultuous early days of our country included written love letters.

 

Click on the image to read the actual magazine article that this illustrates.
Click on the image above to read the actual magazine article that this illustrates.

 

Yes, John Adams is taking a selfie with Abigail surrounded by all their inscribed mush. To some of you, this image may cause you to reflect on a piece I did for President’s Day two years ago of Abraham & Mary Lincoln. (CLICK HERE to see the image in question.) I had sent that out as a greeting card, and the fine folks at Clubhouse Magazine remembered that image when this assignment came up. I was very happy to add to my portfolio of presidential selfies by creating this early American Polaroid just for them!

 

This is the cover of the February 2016 issue of "Clubhouse Magazine" in which my illustration appears. Click on the image to see about subscribing to the magazine, and maybe if you ask politely, they might make this issue available to you.
This is the cover of the February 2016 issue of “Clubhouse Magazine” in which my illustration appears. Click on the image to see about subscribing to the magazine, and maybe if you ask politely, they might make this issue available to you.

 

So, remember, the written word can be a powerful thing, especially when written by hand. I wrote a card that led to a job. John Adams wrote a young lady that led to a wife. Write your loved one a special note today to let them know what you really think of them. Who knows, maybe it will lead you to become president, too!

Come back tomorrow, and I’ll show you a little step-by-step of the creation of this piece!