This year the San Diego Comic Con hit its 40th anniversary. This is the comic book fan convention that started them all, and continues to set the standard – well, if the standard you are looking for is an all-media convention. This con’s focus is primarily on movies and television for which the filmmakers and performers come out in droves to promote their upcoming projects. Comic Con also celebrates toys, card games, animation, video games, illustration, fantasy, science fiction, books and – oh yeah, comics.
This shot featuring a lifesize Transformer helps show a little of the crowded experience that defines Comic Con.
While I don’t attend every year, when I do go, it is purely to seek out and revel in the creative accomplishments of cartooning. If you can squeeze your way through the throngs of 125,000 fans (many of which come dressed as their favorite pop culture figures), you just might stumble across a great artist or two tucked between a few mega corporate booths. Many of these artists are creating spectacular work that really MUST be seen, but usually is not heralded by companies with big distribution channels. The independent spirit is alive and well at Comic Con.
But most of all, Comic Con is a spectacle. Every time you turn your head it’s another astonishing display. You might see giant robots, movie actors such as John Heder and Richard Dreyfuss, moms with strollers carrying lightsabers, movie directors, the cast of NBC’s Chuck or CBS’ Ghost Whisperer, someone speaking in Klingon, a girl who made a dress out of Warner Bros. big cloth giveaway bags, Matt Groening, Sergio Aragonès, twelve Wonder Women, a girl dressed as David Shannon’s book A Bad Case of Stripes, film score composers like Christopher Young and Bear McCreary, security throwing out people without badges, a family dressed like The Incredibles, etc. etc. Comic Con is a veritable wonderland.
So, for those of you who missed the menagerie, I have a few photos to help you experience Comic Con. Maybe next year you’ll grab your deerslayer and lightsaber like this fella and come as your own Jedi detective, too!
Each year at Comic Con, the Eisner Awards are given to the best and brightest talents in comics. Hosted by Bongo Comics’ Bill Morrison and assisted by his lovely wife Kayre, the Eisners have become a fun event of professional schmoozing and back slapping. It’s a true blend of the new young talent all the way through those who helped set the standard. If you attended, you would have rubbed shoulders with Neil Gaiman, Paul Levitz, Jane Wiedlin, Murphy Anderson, Stan Freberg, Bernie Wrightson, Bill Sienkiewicz, Gary Gianni, Scott Shaw!, Kazu Kibuishi, and many others.
Welcome to the conclusion of my photo albums showcasing the goings on at the 2009 National Cartoonists Society’s Reuben Awards weekend that took place over Memorial Day weekend in Hollywood, California. The previous post ended with the actual Reuben banquet night. Today you will see more of what happened on Sunday, May 24 at the home of Cathy Guisewite, and then the karaoke party that followed back at the Hollywood & Highland complex.
A unique experience at this year’s Reubens that did not echo the usual routine from years past was a trip out to the lovely estate of Cathy Guisewite, the creator of the “Cathy” comic strip. Four touring buses picked up convention goers at the hotel in the afternoon and took them to her wonderful home nestled in a quiet, unassuming neighborhood that I’m sure had no idea that many of the country’s top names in cartooning were descending upon them. Cathy’s parents were there to greet everyone with a smile and a mini “Cathy” book as a gift. But I’ll let the photos do all the talking….
After the buses returned everyone to the Renaissance Hotel in Hollywood, things started up with a final party for the weekend with the 2008 Pulitzer Prize winning editorial cartoonist Michael Ramirez performing with his band, after which the karaoke kicked in!
Our fearless President Jeff Keane (“Family Circus”) who donned a wig and sang with all his might Randy Newman’s “I Love LA”.
And on that note, I have come to the conclusion of my photos of the 2009 Reuben Awards. Many thanks to those whose photography is represented in this Part 4 Reuben Report: Cedric Hohnstadt, Chari Pere, Sean Kelly, Bill Morrison, Wendy Peng and even a few of my own.
And thank you to our hostess Cathy Guisewite for a terrific afternoon in her home. She was very brave to have a bunch of unpredictable cartoonists invade her private space. Casa Cathy will probably never be the same, nor will her 5 bathrooms.
And thank you to Jeff and Melinda Keane who spearheaded a terrific Reuben Weekend. Only 11 more months until the next one!
For more information about the National Cartoonists Society, please visit www.Reuben.org!
Welcome to part three of my posts on this year’s National Cartoonists Society’s Reuben Awards weekend. Today’s post will focus on the actual Reuben Awards themselves! They took place in the Grand Ballroom of the Renaissance Hotel in Hollywood, California on the evening of May 23.
For those of you not familiar with the Reuben Awards (named after the great Rube Goldberg), they are bestowed annually on the best and the brightest in the cartooning business. Awards are given in several categories of illustration, comic strips, animation, comic books, comic panels, and editorial cartooning. And of course, there is the very prestigious Reuben Award itself that is given to the Cartoonist of the Year. You can see all the categories and read about the history of the awards on the NCS website.
So, that being said, let’s get on with the photos, shall we? There are lots of cartoonists to see – cartoonists in ball gowns and tuxedos no less! You don’t see THAT every day!
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The Reuben night began with a cocktail reception outside the Renaissance Hotel’s ballroom where the annual Governor’s Ball for the Oscars is always held. On one side of us were the exit doors from the upper level of the Kodak Theater, and on the other was the ballroom.
Once the cocktail reception ended, the party moved indoors where guests were treated to a wonderful dinner prepared by Wolfgang Puck’s crew. Dinner was accompanied by a big band, and lots of shmoozing. Thankfully, there was a coffee table open throughout the night as the dinner and awards did not let up until close to midnight.
Even though the evening was late, many convention goers headed down to the lobby to continue socializing. They weren’t down there for long when Dave Coverly came down to round everyone up to head on up to the spacious Presidential Suite to join President Jeff Keane and wife Melinda. And so the party continued!
If you were hoping to find a complete list of winners from the night’s festivities, I invite you to check out my post in Part 1 of these Reubens Reports. All the winners are listed there!
Many thanks to illustrator Sean Kelly, and cartoonists Chari Pere,Rob Smith Jr. and Tom Stemmle for the use of their photos in this post. Come back again tomorrow when I will have my last of the 2009 Reuben photo spreads featuring the events on Sunday that include a late afternoon meal at the home of Cathy Guisewite and the evening karaoke party!
And a little P.S. to the Reuben Awards – This is Nicolas Marlet, character designer for Dreamworks Animation’s “Kung Fu Panda” movie. Unable to attend the Reubens himself, I dropped by Dreamworks to hand Nico his Feature Animation Division Award.
At the end of Part 1 of my Reuben Report, I promised you more photographs from the National Cartoonists Society’s 2009 Reuben Awards that took place this year during May 22-24 at the Renaissance Hotel in Hollywood, CA. For those of you who have anxiously been waiting, the payoff is sweet.
While my first post was of my photos, in the weeks that have passed, many friends and colleagues have passed along their photos to me. I’ve picked some of the best at my disposal to share with you. Since I’ll be putting these in chronological order from the weekend’s activities, I’ll acknowledge my contributors right now! Many thanks to the following who have graciously allowed me to post their great shots: Sergio Aragonès, Sean Kelly, Chari Pere, Bill Morrison, Wendy Peng, Rob Smith, Jr., Cedric Hohnstadt, Tom Stemmle, and Rick Detorie.
FRIDAY, MAY 22
SATURDAY, MAY 23
On Saturday during the seminars, several posters and a large banner were set out for us to draw on that were to be given to various groups of the U.S. military. Over the past year, NCS member Jeff Bacon has been spearheading the efforts for NCS members to join with the U.S.O. in visiting injured troops here and abroad. He has led several trips of cartoonists that have been so very well received and appreciated by our soldiers. So, some of these are related to that project, and others to another troop project headed up by editorial cartoonist Michael Ramirez. The following are some shots of those banners.
Well, this has been an awful lot of pictures today. There’s more where that came from. I shall post more shots tomorrow from the actual Reuben Award banquet, and on Wednesday, I’ll have my final post about the 2009 Reubens with more shots from Cathy Guisewite’s Sunday afternoon party followed by a few parting shots of cartoonists doing karaoke. I’ll close out today’s post with a few photos of Hollywood as seen from the Presidential Suite at the Renaissance Hotel.
Gallery Nucleus brings you the work of late illustrator Robert (Bob) Peak, a most prolific American illustrator whose extensive catalog of work delved into advertising, fashion, sports, fine art, and film – forever revolutionizing the look of the modern movie poster. Among the more than 130 films for which he did the posters were West Side Story, Camelot, My Fair Lady, Apocalypse Now, and five Star Trek features.
The World Premiere Exhibition will be the first solo show of Peak’s work spanning over three decades. The show will include a series of limited editions, and a special one-of-a-kind oversized edition of My Fair Lady to be auctioned off with all proceeds going to the Audrey Hepburn Children’s Fund.
Dubbed “the father of modern movie posters,” Peak’s design and color pallet were so fresh and vivid that it swept the Hollywood moguls off of their collective feet; leaving everyone wanting a Bob Peak designed movie campaign. During his lifetime, Peak, designed 20 covers for Time Magazine, 39 covers for T.V. Guide Magazine along with numerous star portraits including Audrey Hepburn, Humphrey Bogart, and Spencer Tracy. A Hall of Fame member of the New York Society of Illustrators, he was also honored with a Lifetime Achievement Award in 1992 by The Hollywood Reporter for his remarkable contribution to the film industry.
Each Memorial Day weekend, I look forward to the National Cartoonists Society’s (NCS) Reuben Award convention. It’s a time when cartoonists of all persuasions can gather, talk shop, hear some lectures, give each other awards, and socialize ’til all hours of the night. And boy howdy, do we ever!
This year’s Reubens were held at the Renaissance Hotel located at the Hollywood & Highland complex right next to the famed Graumann’s Chinese Theater in Hollywood, California. Cartoonists from all over the world converged on this hotel for some professional elbow-rubbing and rib-tickling. NCS President and “Family Circus” artist Jeff Keane (together with his lovely wife Melinda) put together a terrific three days that may require an additional three-day recovery period.
FRIDAY, MAY 22
The events got underway on Friday with a talk given by Steve Moore who draws the comic panel “In the Bleachers”. He brought along with him a creative executive from Nickelodeon and a producer of the upcoming Where the Wild Things Are movie to talk primarily about how to pitch animation ideas to the studios.
Following Steve was the great Eric Goldberg whom I had the pleasure of introducing to the audience. While Eric is widely known for his animation work for Disney (the Genie in Aladdin, co-directing Pocahontas, directing two sequences in Fantasia 2000, etc.), he gave a great talk about much of his career leading up to and including his time at Disney Feature Animation. His great experience can be read in his book Character Animation Crash Course!
Rounding out Friday’s talks was Drew Struzan, well-known for his movie poster illustration work (Indiana Jones, Back to the Future, Star Wars, etc.). Drew shared slides of his work peppered with anecdotes from behind-the-scenes of many images we all know and love. I was also honored to introduce Drew and assist with his slides.
Friday night the convention goers enjoyed an opening night reception sponsored in part by Creators Syndicate around the rooftop pool of the Renaissance. Cartoonists and their families all gathered for some carved prime rib, turkey, shrimp, sushi, and other items as we greeted old friends and began friendships with new folks. One might see Bill Amend (“Fox Trot”), Vic Lee (“Pardon My Planet”), Stan Goldberg (Archie comics), Scott Adams (“Dilbert”), Sergio Aragonès (MAD Magazine), or Barbara Dale (greeting cards), Rick Kirkman & Jerry Scott (“Baby Blues”), Chris Browne (“Hagar the Horrible”), Stephan Pastis (“Pearls Before Swine”) or Sandra Boynton (cards & books). It was a who’s who all weekend long.
As things wound down at the pool party, the party continued down in the lobby of the hotel where almost every seat was taken by a cartoonist. In fact, if there wasn’t a scheduled social event throughout the weekend, the lobby lounge was the default meeting place for friends to gather.
SATURDAY, MAY 23
Saturday was a busy day. With a breakfast served to everyone in the pool area once again, I was able to gulp down a quick bite with my friend Michael Ramirez (editorial cartoonist for Investor’s Business Daily) and then ran off the to the annual member business meeting where many new faces were added to the board with Jeff Keane serving another two years as our fearless leader.
During the business meeting, we had a presentation from Bill Hoogterp about the non-profit group The League requesting that cartoonists mention something about participation in public service in their strips and shows at a date in the fall. To drive home his point, he brought along with him Star Trek director J.J. Abrams who mentioned that his shows LOST and Fringe will be participating in this big effort.
Saturday afternoon began with a seminar about the state of syndicated comic strips with panelists from PARADE Magazine, King Features Syndicate, United Media and others. The big question on everyone’s minds was what the future holds for comics when newspapers seem to be failing left and right and the internet, where content is usually always available for free, is the primary source for information. Quite frankly, there were no real answers or decent suggestions brought up during the talk. Perhaps each syndicate has their own plan and didn’t wish to reveal it to the competition sitting next to them.
The second seminar was with the two time Pulitzer award winning editorial cartoonist Michael Ramirez who shared his approach to his work. While he draws his opinions from the Right (even his new book is titled Everyone Has the RIGHT to My Opinion), the brilliance his work was appreciated by Righties and Lefties both in the audience.
Saturday night the strictly black tie Reuben Awards banquet was held in the Renaissance’s huge ballroom with a cocktail hour hosted by King Features Syndicate and a dinner catered by Wolfgang Puck’s company. This ballroom is right outside the upper exit doors of the Kodak Theater where the Oscars are held every year, and is, in fact, the ballroom where the Oscar’s Governor’s Ball is held.
Hosted by another Pulitzer winning editorial cartoonist Mike Luckovich (his work often appears in Newsweek Magazine), the evening went on with awards given for all forms of cartooning. I’ll let the photos do the talking, but here is a list of the winners that should be announced shortly on the NCS’ official website www.Reuben.org:
The first award to be handed out was the NCS Foundation’s Jay Kennedy Scholarship award winner Chris Houghton whom I blogged about a few weeks ago. Chris was on hand to accept his award, and turned out to not only be talented, but also a pretty nice guy.
Kicking off the awards, Bil Keane (“Family Circus”) and Mell Lazarus (“Momma” and “Miss Peach”) were awarded the Gold Key Award, their induction into the NCS’ Hall of Fame.
Greeting Card Division: Jem Sullivan
Comic Book Division: Cyril Pedrosa (Three Shadows)
Advertising Illustration Division: Craig McKay
Gag Cartoon Division: Mort Gerberg (New Yorker magazine)
Television Animation Division: Sandra Equihua and Jorge Gutierrez (El Tigre: The Adventures of Manny Rivera)
Feature Animation Division: Nicolas Marlet (character designs on Kung Fu Panda)
Magazine Illustration Division: Sam Viviano (MAD Magazine)
Newspaper Illustration Division: Mark Marturello
Book Illustration Division: Mike Lester
Editorial Cartoon Division: Michael Ramirez (Investor’s Business Daily)
Newspaper Panel Division: Mark Parisi (“Off the Mark”)
Newspaper Strip Division: Mark Tatulli (“Lìo”)
And the Reuben Award, the NCS’ highest honor for the best cartoonist of the year, was awarded to Dave Coverly who draws the comic panel “Speed Bump”.
SUNDAY, MAY 24
Usually the Saturday evening festivities go really late. I ended up hanging out at the hotel until about 4am just chatting with folks, only to return again for a 10:30am meeting with the non-profit NCS Foundation of which I am a board member. It was Sunday afternoon that held a special time, though.
Cathy Guisewite, the creator of the comic strip “Cathy”, hosted everyone at a soirèe held at her Los Angeles home. She welcomed all 350 of us with open arms and a copy of one of her books while inviting us to visit every nook and cranny of her beautiful abode. Most of the cartoonists made a beeline to see her elegant studio which was housed in an upper room in the main house.
Down on her tennis court, Cathy had tables set for us all to enjoy a Mexican food dinner accompanied by a Spanish guitar player. The weather was just perfect, and cartoonists young and old enjoyed their time in her lovely and secluded backyard. That was an event that will be spoken of for years to come. Her generosity in having us as her guests was truly a special and memorable afternoon.
Upon returning to the hotel, Bongo Comics hosted a final party at the Hollywood & Highland complex at which local cartoonist Michael Ramirez’s band played for awhile followed by karaoke. Many cartoonists seem to live for the karaoke. I am content to be an observer. Particularly when folks like “Lìo” and “Heart of the City” cartoonist Mark Tatulli set the bar so high when he comes in costume. While watching Mark and his son perform “Bella Notte” from Lady & the Tramp in full costume was entertaining, the most disturbing moment was when Mark came out in full fin and seashells to perform “Part of Your World” from The Little Mermaid.
The weekend as a whole was terrific fun! The photos say it all. If you are a fellow professional cartoonist in comics, animation, illustration – WHATEVER – I would encourage you to consider joining the NCS. There are local chapters all over the country (including one in Canada) that have their own events throughout the year, with the annual Reubens being a highlight of the year. I have attended 12 of the last 14 Reubens, and hate it when I have to miss one. Visit www.Reuben.org to learn more about the NCS!
Oh, and the title of this post indicates that this is only Part 1 of my Reuben report. Fear not. This is only the case because I have a feeling that within the next week I will have been given more photos from others that should be shared with you. So, stay tooned…..
On Thursday, May 7, I attended the opening of the Forest Lawn Museum’s wonderful new show of personal artwork by the great Marc Davis, one of Walt Disney’s famed Nine Old Men.
Located high on a hill within the Forest Lawn Memorial Park (a cemetery for those of you not familiar with Los Angeles) in Glendale, California, the museum often hosts the most amazing rotating art exhibits of work by local artists. It is probably one of the best “secrets” of the LA art community having featured exhibits by animator John Pomeroy, pop artist David Willardson, a wonderful Tiki exhibit with traditional carvings from the islands as well as work done for Disney’s Tiki room and the very current artist Josh Agle better known as Shag, and even recently an exhibit of work done by and for blind folks. And it’s always free.
If you are not familiar with Marc Davis’ name, you certainly are familiar with his work. As an animator at Disney, he was responsible for such characters as Flower from Bambi, Alice from Alice In Wonderland, Briar Rose and Maleficent from Sleeping Beauty, Tinker Bell from Peter Pan, and even Cruella De Vil from 101 Dalmatians. And if you’ve ever visited Disneyland, you’ve seen the results of Marc’s design work in The Enchanted Tiki Room, Pirates of the Caribbean, The Haunted Mansion, It’s a Small World, and The Jungle Cruise to name a few.
I had the pleasure of chatting with Marc several times before his passing back in 2000. I worked for Disney Feature Animation at the time, and Marc, together with his wife and fellow Disney Legend herself, Alice, would come give talks to us at lunchtime. Marc loved to talk, and often would go off on an unplanned rabbit trail which we rarely minded as every story he had to tell was so riveting.
The art in this current exhibit is Marc’s personal work that has hung in the home he shared with Alice for many years. Made up of almost 100 pieces, the work represented is from the 1930s all the way through the 1980s. His amazing sense of design, style, color and boldness is evident in a variety of subject matter, many of which were influenced by his world travels. Pencil, oils, gouache, watercolor – you name it, there was probably a hint of every medium present in this show – even wireframe sculpture!
The opening of a show is always fun. Good art, a little food, live music, and lots of friends and colleagues were in attendance. One might have seen illustrator William Stout, Roger Gould from Pixar, Disney animators Andreas Deja and Pres Romanillos, Mulan co-director Tony Bancroft, Frank Thomas’ (another of the Nine Old Men) son Ted, Disney guru Bill Matthews, animation folk Tom & Pat Sito, Bob Kurtz, ASIFA-Hollywood President Antran Manoogian, voice of Wendy (Peter Pan) and Alice Kathryn Beaumont, the legendary 99-year-old Tyrus Wong (Bambi conceptual artist), and even folks from Studio Ghibli in Japan.
If you will be in the Los Angeles area between May 8 and July 26 of 2009, make this a must-stop on your list of things to-do! Please check out the details of this show at the Forest Lawn Museum’s website! And if you would like to know more about Marc Davis and the other eight of the legendary Nine Old Men, I highly recommend John Canemaker’s book published in 2001 titled Walt Disney’s Nine Old Men & the Art of Animation.
Earlier this year when I first started this blog, my very first post was to share with you my “courtroom sketches” of a scoring session with composer Michael Giacchino and the music crew for the upcoming Star Trek movie directed by J.J. Abrams. The drawings were originally shown on the website ScoringSessions.com. At the time, Paramount didn’t want a lot of press that far in advance of the film, so the photographs had to be held back for awhile. Thus the reason for the less sensitive artist renderings that appeared on that site, and later on this blog.
Well, those photographic restrictions have been lifted, and Dan Goldwasser over at ScoringSessions.com has posted his wonderful photographs of the Star Trek crew hard at work. I’ve posted one here to wet your whistle – and yeah, I chose it because I’m in it, too.
To see the rest of the Star Trek recording sessions images, along with Dan’s great commentary on what was going on in the shots, please visit his website, ScoringSessions.com, by clicking HERE!
And if you’d like to see my “courtroom sketches” again, you can see them HERE on ScoringSessions.com, or HERE on my blog.